January 2, 1962   no responses

 The Game

Bingo was every Saturday night. It was held in Gallo Hall in the basement of Sacred Heart School (named after Father John Gallo, the pastor and founder of our Italian parish in 1912). It was a necessary evil for raising money for our elementary school. The Catholic tradition of Bingo goes back to the Gospel story of the Roman centurions throwing dice to win the robe of Jesus during his crucifixion.  Of course gambling is a curse.  Look what happened to Richard Burton in the movie, The Robe and of course in real life – he won and lost Elizabeth Taylor twice. He got his revenge though in Who’s Afraid of Virginia Woolf by killing off their imaginary son.

Interestingly none of our parishioners attended Bingo. The puritanical Protestant non-denominational “white trash” of Newburgh made the Bingo rounds each week at the various Catholic Church basements. There were only a few Blacks in attendance sprinkled around the Whites like jimmies on a vanilla ice cream cone. It was a strange brew of witches in multi-colored kerchiefs hiding their toilet paper-sized pink hair curlers just put in at the beauty parlor in preparation for the next day Sunday services at their heathen places of worship. Each sorceress with a jungle red lipstick stained cigarette dangling from her lips set up altars of talismans and good luck charms. An impish troll-like demon was seemingly the god of the games. These devotees purchased multiple cards for each round; this is how the church made its money. Every lady had at least 20 cards spread out before them in precise military line up. Armed with a red ink pad, their eagle-like eyes ran up and down each card, like an Italian customs official stamping out with an authoritative thud the appropriate numeral, hoping to win and shout out – Bingo!

Nicotine primordial, gray clouds hovered on the ceiling of Gallo Hall; eventually it got so bad, the parish had a special charcoal filter machine put in to suck the gaseous vapors out.  The Bingo Caller was always a male, dressed in Eisenhower Era sack suit and narrow black rep tie. He presided like a high priest behind a long cafeteria lunch table set up on the stage which would be re-set the next morning for the overflow adult attendees from the 9 a.m. Sunday’s Children’s Mass held in our church across the street. The seventy five numbered ping pong-like balls would whirl and whoosh and careen around in a clear Lucite box propelled by hot air blast sounding like my mother’s Sunbeam hairdryer. After pressing a foot lever on the floor, one ball would be sucked out of the box, up a clear vacuum tube and placed in a tray that looked like a huge Tupperware deviled egg holder. The device lit up the number on a marquee for all to see the number called. You won by completing a line up or down, or across or diagonally.  This was the basic play for the first cash prize. The second prize for a higher amount was the Round Robin filling the outside square all around the card. The third and last was Full Card. The Maenads of Dionysius would then rip up cards with a frenzy and buy a whole new set – more money for us indigent Italian poor orphan babies

 

Groans of laughter, salacious mooing and hissing would accompany each pull of a bingo ball.  They were a fanatical and superstitious bunch outdoing the Pentecostals in speaking in tongues.  They would scream out the most vulgar comments at each bingo call. Each one had a ritualistic mantra:

G-1     Baker’s Bun!

I-23    Thee and me!

N-4     Knock on the Door!

G-28  Over weight!

O-54  Clean the floor!

Whenever 69 Either way up!  was called the banshees would go wild. It wasn’t for a few years later that I knew what that particular salacious chant was all about. In between calls there was a code of silence, deadly serious stuff, more serious than the transubstantiation.

Onan – According to the Old Testament, after Godhad killed Onan’s older brother Er, Judah asked Onan to have sex with Tamar , Er’s widow, so that the offspring could be declared Er’s heir. Onan had sex with Tamar, but performed coitus interruptus each time, spilling his “seed” on the ground, so that there would not be any offspring which he could not claim as his own. The passage states that this displeased God, who killed him.

 

http://1.bp.blogspot.com/_UOCWpIvl9Yw/SSIA451RGuI/AAAAAAAABR4/PdrSYosnYEU/s400/Troll.jpg

Jackpot!

Joey’s mother was in charge of the kitchen at Bingo, selling food to the famished harridans which provided additional income. She arrived in late afternoon to start the making of the coffee in a huge industrial chrome coffee maker that looked like something out of The Bride of Frankenstein. She also hovered over boiling and steaming cauldrons of Pepto Bimsol-bright Hot Dogs. Joey helped his mother every Saturday night so I not too altruistically volunteered. We helped her unpack the frankfurter rolls, jelly doughnuts and cinnamon buns dropped off by Luna Bakery.  We stocked the restaurant sized refrigerator with gallons of milk delivered by Crowley Dairy up the block.

Once the games started, Joey and I would roam up and down the aisles of Gallo Hall pushing a metal hospital cart with a small urn of coffee on it, a metal bowl filled with tepid water where the frankfurters sloshed around, and a turquoise blue, Melamine tray of mixed baked goods. I wore a white apron with deep pockets containing lots of coins to make change for each transaction. It was like feeding red meat to hungry lions at the zoo and tossing fish at seals at the aquarium. They were a voracious lot. The women would accost me and grab me and make all sorts of remarks and predictions. It was all in good fun and I gave their sexual banter right back to them!

Hey cutie, is the coffee hot as you?  – “Hotter!”

Put lots of cream in sugar. – “All you want, Maame!”

Nice buns!  – “Cream filled.”

What ya hidin’ under that apron, sweetie? – “Me to know and you to find out!”

Got any Italian sausage for Momma?  – “Sweet or Hot?”

Naughty boy, you need to be spanked.  – “Don’t ya know it!

You’re gonna be a star, someday baby.” – “The Greatest!”

They loved tipping me and putting the money down into my pants pocket as I was sla

thering their hot dog with neon bright looking yellow mustard. “This is for you honey, don’t tell your mother.”

 

Sacred Heart School Kitchen

(not much has changed!)

 

Joey and I were done when we ran out of food. We counted up our tips to compare but I always lied to him since I got a lot more.  It took his mother awhile to clean up the kitchen, so we had an hour or so to hang out… I suggested to Joey we go explore until it was time to leave.  The back stairs led directly up to the main floor classrooms. All of the lights were turned off, it was exciting to see the school so dark and spooky, and the only sounds were the Bingo and catcalls echoing up from below. We went down the green and gray checkered linoleum tile hallway till we stumbled into the Kindergarten Room. The mercury vapor street light coming through the venetian blinds cast a weird bluish-green light that made us look like vampires and cast sharp shadows onto the black chalk board from the trees from the garden facing Route 9W outside.

We prowled around the room like Zombies, flipping through a dog-eared Highlights magazine; squeezing a stray broken stuffed animal that yelped out a tiny cry and we silently tossed a red and blue ball back and forth till I finally sank it with a flourish into the toy chest. We looked through the drawers of the teacher’s desk hoping to find money but only to find crayons, colored tissue and construction paper. There was a set of alphabet blocks on the shelf under the blackboard so we put them on the desk and tried to make up words like automobile, vegetable and biology. I scrambled the blocks once more and I playfully spelled out: DICK and JANE.

From the Gallo Hall below we heard cackling-

B-62 Turn the Screw!

I slid into one of the tiny child kindergarten desks, barely fitting in so my legs splayed out in front of me like Goldilocks in Baby Bear’s chair. I motioned Joey to sidle into the desk next to me. We both stared at the blocks watching the shadows play on the blackboard behind it.  Slowly using my leg locked onto one of the feet of his desk, I pulled him closer to me. The desk made a dull moaning noise as the hard rubber coasters groaned across the floor, leaving a black trail on the linoleum. I reached over and undid his pants. I leaned over to the desk and re-arranged the blocks, making new words as we continued reciprocally in tandem:

COME DICK.

COME AND SEE.

Our desks got closer, metal to metal; the cuff of my dungarees got stuck between the two wood writing desk tops. The orgasmic cries from the weird Bingo sisters of the Bacchus were getting closer now.

I-43 Down on your knees!

The blocks seemed to move on their own like an Ouija Board spelling out our fate:.

COME, COME.

COME AND SEE.

Even though breathing heavily and almost in unison, we made not a sound.

N-54 Clean the floor!

Our ears pricked up like nervous deer in the woods, alert to any hunter who may discoverer us.

G-64   Red Raw!

 

COME AND SEE SPOT.

 

O-69   My God!

From Gallo Hall, an orgasmic cry rose up…

BINGO!

 

I could tell from the excited voice that one of my ladies that I waited on had won the final big cash jackpot of the night.  Joey’s leg spasmodically hit the desk and the blocks fell off crashing loudly onto the hard linoleum floor as he shot out across the darkness onto the blackboard.

“Hey Joey! You guys up there? It’s time to go home.” Startled, I got up, almost tripping on my pants legs, pulling the cuff from under the desk, ripping them, as I grabbed a handkerchief out of my back pocket, stumbling over to erase the stain off the chalk board. Being a gentleman, I offered my handkerchief to Joey. He ran downstairs and I quickly started to follow, putting the blocks away. As I was bending over, I noticed my black pocket comb had fallen out of my pants. I parted my hair and put it back in my pocket with my soiled handkerchief folded around it.

Before leaving, I breathlessly ran over and congratulated Miss Lucy, the winner and she gave me a dollar tip out of her haul. Joey’s mother drove us home. I almost banged into the garbage cans as I made my way to the little patch of woods behind our backyard. The wind seemed to make the trees move towards me and reach out like an old Disney cartoon as I buried my handkerchief with the rest of my secret stash.

I used the basement entrance and went up to the bathroom. I closed the door first and then turned on the light.  As I was washing my hands I looked up into the mirror and saw a curious stiff cowlick that I must have gotten when I quickly combed my hair. I rubbed it out with a towel. I panicked. Had anyone seen it? I pulled my flannel pajamas off the hook on the back of the door and started to change.

I went up to bed in shame but also with a strange feeling of elation, like the lady who won the final game of Bingo. I had a hard time falling asleep, but once I did I had terrible dreams of being torn apart by the Bingo Women, like Sebastian Venerable from the movie Suddenly Last Summer that I had just seen where Elisabeth Taylor wore a skin tight pure white bathing suit revealing her heaving chest as she screamed in abject horror as Katharine Hepburn cackled.

I woke up the next morning. My brother and father had already gotten up and were downstairs. “Anthony, it’s time for mass, you better hurry up and get dressed and get your ass down here!” my mother lovingly yelled up.  I tossed off my blanket. There down below was a white chalk stain I must have gotten after I cleaned off the blackboard and used my handkerchief to wipe off. It looked like K2 with a snowy peak. Suddenly I remembered a catechism lesson one of the nuns used to explain Original Sin. “Your soul is like a glass milk bottle. When you are pure you can see right through it – clean. But when you commit a mortal sin, the bottle clouds up, leaving a film that is hard to cleanse away like putrid rancid milk.”

I was going to Hell.  I spit on it and rubbed and rubbed till the stain came off – Absolvo Te.

I ran to the closet, put on my Sunday suit, Chinese laundered starched white shirt, tie and shined shoes, skidded down the staircase, slammed the front door behind me and jumped into our pink and gray Rambler. My mother in a huff handed me my collection envelope and off we went to the 9am Children’s Mass. When they passed the basket, guiltily I also threw in the dollar that Miss Lucy had slowly stuck in my front pocket.

I continued to volunteer for many more Saturday nights, got to know the Bingo Ladies very well and looked forward to seeing them. Joey and I graduated from Kindergarten to the 1st Grade classroom to 4th Grade, 6th Grade, right up to the 8th Grade!  I always had a clean handkerchief….

BINGO!

 

 October 29, 1961   no responses

Spring 1961-

I was lying on my bed listening to the original cast recording of the Sound of Music with Mary Martin (before Julie got her hands on it). It was a fold out LP and like holding white gold in my hands; I read the liner notes over and over.

 “Anthony! Come here, I need you!” my mother yelled up from the bottom of the stairs like Don Ameche yelling for Watson in the 1939 movie, The Story of Alexander Graham Bell. “You have to go to the drugstore NOW!”

My mother furtively gave me a folded note and a five-dollar bill and instructed me to give both directly into the hands of our neighbored druggist. She was in an anxious state of mind as I made a quick pit stop to our only bathroom. I noticed once again, the mysterious reappearance of a weird flesh-toned belt-like contraption hanging over the bathroom towel rack. And sensing something was odd by the way Mom instructed me to secretly pass the note to the druggist, I quickly got going on my two-mile trek.

The playing cards on my bicycle wheels never made such a clatter as I whizzed away like Miss Gulch in “The Wizard of Oz”. I was afraid the clothespins would pop off as I sped along Route 94 to the Windsor Pharmacy.

It was like “High Noon” as I entered the drugstore and peered down the long, long florescent lighted aisle to the counter. “Do not forsake me, O my darlin,” I hummed to myself as I pretended to weigh myself on the pennyweight machine, 151 lbs. I carefully unfolded the note. It was in code –

                                                          1bx Kotex Super

The five-dollar bill dropped to the floor. As I bent over to pick up the money, I saw Mr. Cassetti, our druggist, behind the counter. He was wearing a white doctors silky top, the kind with three buttons up by the shoulders. The buttons were open and a shock of black hair spilled out. “Ben Casey, Ben Casey” – I whispered to myself, as I approached not a little unexcited, peering at his patch of chest.

I handed him the note as I pretended to peruse the assortment of gum on the counter, picking up a pack of Sen-sen (“Oh we got trouble”). He fondled the pens in his white shirt pocket, read the note and gave a little knowing smile and looked right into my eyes.   I imagined I heard him murmur “Man, woman, birth, death, infinity.” “Be right back,” is what he actually said.

After a few minutes, he handed me a package wrapped neatly in brown paper and tied up with string not unlike the shirts I used to pick up for my father from the Chinese laundry except harder and stiff.  “Thank you, Mr. Cassetti, can I have this gum too?” I held out my hand and it brushed against mine as I counted out the change that he returned. I ran out quickly.

My mother was waiting on the steps outside of our house, puffing a Kent Menthol. “What took you so long?” she snapped, grabbing the package out of my hand and disappearing into the bathroom. I somehow knew not to ask what was in the box.

I put my bike back in the basement, raced upstairs and flung myself on my bed. Chewing Sen-sen, I dropped the needle back down on The Sound of Music.  On the palm of my hand, I traced the symbol for man that Dr. Zorba drew on the blackboard that always opened Ben Casey. “My day in the hills has come to an end I know…but deep in the dark green shadow are voices that urge me to…” And then the urge took me over…

“Alleluia, Alleluia!”  The nuns were chanting as I woke up sweetly exhausted and flush, a short while later. It was dark now, and I thought I heard a distant thunder, as Maria sang: “Raindrops on roses and whiskers on kittens; Bright copper kettles and warm woolen mittens; Brown paper packages tied up with strings; These are a few of my favorite things.”

 June 2, 1960   no responses

My mother threw the hard half-gallon brick of Crowley’s Neapolitan ice cream onto the kitchen linoleum floor. “Come on, we’re leaving.”

We were still in our Sunday clothes finishing up our 1pm dinner after attending Mass. I quickly grabbed my jacket and helped my younger brother and sister into their sweaters. My father sat quietly in the living room watching the Yankees on channel 11. My Mom grabbed her hat and purse and stormed out before us. We walked two blocks to the corner of Jay Street and Route 94 and waited for the 1:45pm bus from Cornwall to take us to downtown Newburgh.  I thought we were going to catch an afternoon matinee at the Ritz Theatre.

“Son of a bitch, this time we’re not going back. This is it.  I have had enough,” screamed my mother at the cars whirring by as we stood on the side of the highway. I knew then we were not going to the movies to see 2:30 pm showing of “Pollyanna.”

“I have to make my own fucking Mother’s Day dinner. He doesn’t lift a goddamn finger. Your father lies on his ass and just pretends to be sick.”

My father had Parkinson’s disease.

“But Ma, I made you a nice card and bought you a present. Didn’t you like the Jean Natè?”

 “You’re no big help either… My life is over. I ‘m married to a dead man. Not anymore. I am out of here. You can go back if you want to, little man. You’re just like him anyway. “

“No Mommy I will stay with you.”

The bus pulled up and my Mom paid our 30 cents each; Michael and Karen rode free.  She calmed down on the bus but still smoldered as she looked out of the window for the short ride into town.

The bus passed over the crumbling stone bridge on Mill Street with the old paper factory still underneath beside a dried up stream…  passed some service stations and rusty auto shops…passed the only Jewish synagogue before making  a right turn onto the very wide expanse of  Newburgh’s Broadway.  Down the broad way past the Ritz and Broadway Theatres, the Texas Weiner Shop, Sears & Roebuck, The Hotel Newburgh and the Woolworths. Left and farther down to the old business district, the department store with the only elevator in the Hudson River Valley, down to the bus terminal at the ferry station to Beacon.

We got off at the last stop on Water Street on the river in front of  a sign that said “Newburgh Best All American City 1950 ” That sign would soon be a lie and better entitled in the 1960’s  – “Abandon hope all ye who enter here.” George Washington may have disbanded his troops nearby but the welfare scandal, the “Battle of Newburgh,” was just to begin for all the nation to see as documented on NBC’s White Paper Series.

My mother was unusually quiet now as we got on the ferry, the warm breezes of the river blowing over us. Looking high up and across the river, I could see the abandoned funicular up to the very top of Mount Beacon so named for its Revolutionary War beacon fires to warn of approaching British troops.  I wish I had a warning system at home to signal my mother’s tirades.

My brother and sister held tightly to my hands as my mother smoked a Kent Light up on the top deck. There were never any warnings of her outbursts and attacks at home.  They would flare up like Mount Vesuvius. The battle lines were drawn and as children we could find ourselves on either side of the skirmish. “Who do you want to go with, me or your father when we break up?” was often the war cry to recruit us to their side.

There was no Charon to guide us across the river to the sad city of Beacon, already a forlorn, once industrial river town. We walked up the steep Ferry Street to Main. Either the weather had turned warmer or our hike up the hill had all made us thirsty. My mother gave me some change to go to a corner German Deli. I plunged my hand deep into the icy waters of the Coca Cola chest to retrieve 4 small Cokes. We walked over to Memorial Park and sat on the beat up benches in the shade. Karen and Michael played on the swings.

My mother was crying now softly. I tried to hold her hand but she brushed it away. She was quiet for an hour. The ashes of despair were settling as we sat on that silent hill.  I am sure she was now realizing she had left home but had nowhere to go but back. She looked like the Trojan Women, overlooking a sacked city, realizing slavery or death were the only two choices allowed to her.  She handed me a dime and sighed with resignation, “Go call your father.” We sipped our cokes as I watched some “negro” teen aged boys play softball on the nearby field.

Dad arrived one hour later and picked us up. We didn’t’ get out of the car on the ferry. The bridge would soon be built bypassing the two cities, abandoning the downtowns to outlying malls. My father drove slowly and carefully home as the radio played Percy Faith’s hit version of “Theme from a Summer Place” on Newburgh’s AM station, WGNY.

There’s a summer place

Where it may rain or storm

Yet I’m safe and warm
For within that summer place

Your arms reach out to me
And my heart is free from all care
For it knows there are no gloomy skies

When seen through the eyes
Of those who are blessed with love

As we passed the Dairy Isle my Dad made an abrupt u-turn back into its gravel parking lot.

“What kind of sundae do you want, Jo?” my Dad asked my mother – “Hot Fudge Sundae with Vanilla Ice Cream.”

-Détente-

“Anthony, get your mother some ice cream.”

My Dad gave me two dollars out of his allowance that my mother weekly doled out to him. I got Karen and Michael a vanilla cone each with chocolate sprinkles; a swirl with rainbow sprinkles for me. I bought my Dad a dish of vanilla since he couldn’t hold a cone in his shaking hand. We finished our ice cream before heading home. My mother gave the signal it was time  to leave by handing me her fudge smeared napkin to toss in the trash.

 I could see the grease stains on our black top driveway as we arrived home. Hand over hand, my father turned the big steering over and guided and glided our car over the spots and hid them from view.  My mother went ahead as my Dad shuffled in behind her. We all went to our rooms to change out of our clothes and put on everyday ones.

As I entered the kitchen, I almost stepped on the blob of vanilla, chocolate and strawberry ice cream that has spread out from its container. I mopped up the mess and ran hot water in the sink over the carton on to melt the rest before I could toss it into the garbage can.  I loved making it swirl round and round like the water circling down and around in the drain form the movie “Psycho.”

Since it was Sunday night, I carried the two big metal garbage cans from the back yard to the front so the Town sanitation truck could pick them up Monday morning. My Mom fixed Dad a sandwich from the leftovers. At 8pm, we all gathered around our RCA television console set to watch the Ed Sullivan Show on Channel 2 – like we did every Sunday.

 April 12, 1960   no responses

8a22086a32c504a1bd9366356a472055

Preludium

In the Christian religion, Easter Sunday is the most important holiday of the liturgical year since the literal physical bodily, resurrection of Christ is the foundation of all its beliefs. Since my mother was a devout Polish Roman Catholic, Lent and Easter maintained its importance in our household while our Italian side of the family was more into celebrating Christmas.

The prelude to Easter is the season of Lent which starts on Ash Wednesday, the day after the indulgent holiday of Carnevale or Mardi Gras. My mother took us to church that day to receive ashes. Since my father was sick with Parkinson’s disease and couldn’t make it into the church, the priest gave my mom some ashes in a #6 size white envelope. When she got home, she put the ashes on him and said with some sangfroid, “Dust you are and dust you shall return!” Lent lasted forty days in preparation for Easter – a symbolic time referencing the Old Testament tale of Moses and the Jews wandering in the desert and the parallel New Testament story of Jesus fasting in the desert on honey and locust, preparing himself for his ministry.

At Sacred Heart School, the nuns urged us seventh graders to “give up something” for Lent like candy, movies or TV. They handed us small cardboard Lenten Boxes that you had to assemble (Tab A into Slot B) to put coins in to save the pagan babies of China. We were allowed only one full meal per day with meat, which meant a lot of cheese, tuna and peanut butter and jelly sandwiches for lunch. During Lent, there was no meat at all on Fridays. So going to Howard Johnsons on Friday night for the unlimited fried clams was a special treat and didn’t seem like a penance at all.

On Easter Sunday, we were always outfitted in a new suit and hat symbolizing our rebirth and fresh start in Christ. So, weeks before, my mother took us to Robert Hall to buy a new suit, which came with two pairs of pants. She would then go to S.S. Kresges to get a new frock and an Easter Bonnet (“does anyone still wear a hat?”). You did not go to Church on Easter Sunday morning with anything old on!

Sacred Heart Parish in Newburgh New York was mainly comprised of Italian Americans so our Polish celebration at home was in contrast with the over the top Mediterranean liturgical celebration. For instance, during Lent, all the many statues in church were covered in purple cloth like ladies wearing veils to cover their heads for vanity. For forty days, the organ was silenced, no bells rung and no weddings held. As an altar boy, I loved clacking a large wooden clapper only used at mass during this season.

For Forty Days and Forty Nights all the parish repented, gave alms, fasted, and attended the “Stations of the Cross.” We cleansed ourselves of evil and the pleasures of the material world to enter the Promised Land. We had fattened up the weeks before Lent to get us ready for the fast and we all looked forward to Easter and the great celebration and feasting that began with Holy Week that started with Palm Sunday.

 

Palm Sunday

After Mass, everyone received palms in memory of Christ’s entry into Jerusalem on a donkey when the throngs waved their fronds to greet the Messiah. I would take my palms home and make little crosses of them. We would wear these on our suit lapels and put them around the house usually stuck onto the corners of mirror frames or over our beds. The old, Italian ladies of the parish made and sold elaborate palm crosses to put on the graves of loved ones.

 

 Monday, Tuesday and Spy Wednesday

These days were spent shopping for fish for Good Friday and Polish meats and groceries for the big meal on Sunday.  We went to Commodore’s on Broadway to buy homemade chocolate Easter Bunnies, jellybeans and the A&P to buy yellow Peeps and Paas egg coloring. Spy Wednesday was named for Jesus hiding from the magistrates and the priests of Jerusalem.

 

 Holy Thursday or Maundy Thursday

The evening service commemorated Jesus washing of the feet of the apostles at the Last Supper. Our pastor washed the feet of the big parish donors. At the end of the service came the stripping of the altars of all cloths, flowers, candles and adornment even the holy water fonts were drained. The door of the tabernacle was left open and the Blessed Sacrament was transported downstairs to the basement of our church to a special repository. Since no mass could be celebrated for the next two days, this is where the concentrated hosts were “reposed” in case the sick and dying needed to take their last communion. Since ours was an Italian parish our repository was quite gaudy. Lots of candles, aluminum foil backdrop, palms, lilies, kneeling angels in adoration framed the altar where Jesus was in wait till Sunday.  One very old, Italian lady, my mother called, Penny Annie, stayed all night in the basement to keep Jesus company.

After the Thursday night mass, my mother and I would visit Newburgh’s other two parish’s repositories to gain a special indulgence:  St. Francis Church for the Polish immigrants and St. Patrick’s for the Irish of course. This was called Visita Iglesia.

 

Good Friday

This is the most somber day of the calendar, the day the Lord was crucified. There was no school and my parents came home from work at noon. No music or TV or Radio could be played at home.  I think it is called “Good” Friday, because without the death of the Son of God there would be no salvation so it was good. This is a sort of ironic Christian logic not un-similar to “if it rains on your wedding day, it is good luck”.

From noon to 3 p.m. in the afternoon, the duration Jesus spent on the cross, we would attend the service of readings on the Passion. Some called it the “Seven Last Words.” During the service, all the congregation would come to the altar rail for the Adoration of the Cross, kneel and kiss the wounds of the crucified Jesus on a big wooden cross. The priest would rub the rood clean with a handkerchief after each dramatic buss. That night we attended “Stations of the Cross”, services which we went to every Friday evening during Lent. These centered around thirteen depictions of the passion of Christ hung around the church in chorological order from Pontius Pilate to the Crucifixion to the Sepulcher.

At each station the priest would stop in front of each picture and read and pray. At the 11th Station – “Jesus is nailed to the cross” – I always remembered the line:

These barbarians fastened him with nails, and then, raising the Cross, leave Him to die with anguish on this infamous gibbet.

For a long time, I thought gibbets had something to do with turkeys. We all sang that famous Bach hymn, “O Sacred Head Surrounded by Crown and Piecing Thorne”

 paschalcandle2006

Holy Saturday

This was a busy day of house cleaning and cooking that started at 7 a.m. Our home was scrubbed top to bottom and my once a year job was to wash all the windows – our Goyim version of the ritual cleaning and ridding of the Passover chametz

Mom baked a ham, boiled the eggs and kielbasa and made potato salad. In the afternoon, we dyed our Easter Eggs with the Paas brand coloring kit. You had to dilute tiny colored tablets in white wine vinegar. Like Proust, whenever I smell white vinegar, I think of Holy Saturday, my mom and times past.  We inscribed our names on the brightly pastel colored eggs with a wax crayon; Mom, Dad, Anthony, Michael and Karen. Even one for our dog, Daisy. In late afternoon, we all went to confession except for my father.

In the evening was the great Easter Virgil Service at our Italian parish of Sacred Heart Church that had to begin after sundown and lasted for three hours. We forget how much Catholic liturgical days, calendar and rites derived from the Jewish tradition. The holiday or “Holy Day” celebrations always start on the eve before and continue for eight days – Octaves.

The great Easter Vigil service was in four parts, the first being The Service of Light. At 10 p.m., dressed in my altar boy special red cassock and white lace surplice, I followed the high priest, deacon and sub-deacon outside to the rickety wooden front steps of our church. While inside the darkened church, the congregation waited in silent anticipation, holding unlit candles which poked through an upside white and green trimmed Dixie Cup to prevent drips.  I used to love it when the hot wax dripped on my hand and I would eat it off.

The celebrant after a few frustrating attempts, struck a flint to start the blessed fire to light the big Pascal (lamb) Candle made from beeswax that would burn till Pentecost (50 days later). He handed it over to the deacon for the grand procession from the main doors of the church and down the center aisle of the black, dark silent building. From the great Paschal Candle, a flame was passed from one congregant’s small candle to the next slowly illuminating the nave. As the deacon made his way down the center aisle, he stopped three times lifting the candle higher and higher intoning Lumen Christi – Light of Christ, each time singing in a higher key as the congregation responded Deo Gratias – Thanks be to God.  When he reached the main altar, the Paschal Candle was set in a large ornate golden candelabra where it would flicker fifty days and nights to Pentecost.

The second part, The Liturgy of the Word began as the deacon chanted the beautiful Exsultet or Easter Proclamation.  This was followed by seven readings from the bible, five from the Old Testament including the Exodus narrative and two from the New.

images

When we got to the “Gloria” part of the mass, the church lights were dramatically turned on and all the church bells were rung for the first time in forty days. I went wild with my communion hand brass bells as the choir, accompanied with organ which had been silent since Good Friday, joyously sang out: Gloria in Excelsis Deo. Another altar boy swung his thurible in great arcs as clouds of incense wafted over all of us. Ushers, stationed by all the Lenten covered statues, holding a stick with a nail on top of it, whipped off the purple cloths.  Boo! Then the sacristan crouching off to the side, drew back a huge white sheet hanging in front of the main altar. It was dramatically torn down Kabuki style like the rending of the veil in the Great Temple of Jerusalem when Jesus died. Voila! It revealed the resplendent altar filled with hundreds of lit candles and Easter Lilies surrounding a four-foot statue of the triumphant resurrected Christ. I almost swooned from such an overwhelming dramatic and emotional experience of the bells, the music, the incense, the flowers, the heat of the candles and the almost naked muscular statue of Jesus. It was like the rock was rolled away on Easter morning and all of creation shone out enveloping us all in a Bellini St.Teresa-like ecstasy.  I believe this is where my love of theatre and special events was born.

The reading of the Epistle to the Romans was followed by the three great Alleluias, sung for the first time since Lent. Our pastor. Msgr. Celauro, read the resurrection account from the Gospel, followed by a homily and a plea for money (it being an Italian parish of course!)

After The Liturgy of the Word came The Renewal of Baptismal Vows. The water for the baptismal font which had been drained on Good Friday was solemnly blessed and basins filled. Then our Monsignor walked down the center aisle dipping the aspergillum from a brass bucket filled with the new water and sprinkled all the parishioners as we renewed our baptismal vows.

The sub-deacon chanted the long Litany of the Saints with invocations to the Virgin Mary, Apostles, Martyrs, Bishops and Doctors of the Church, Priests and Religious and us Laity.   Many of the names I never heard of – Matthias, Cyprian, Perpetua, Cyril and Fabian?

It was now time for the final section called The Eucharist. The main celebrant changed from violet vestments to a white chasuble embroidered with gold thread to celebrate the first mass in two days. If you had gone to confession this Saturday afternoon, you could now receive communion and fulfill your Easter Obligation.  It took all three celebrants to give out communion since nobody dared not receive the Body of Christ on this most holy day. There was more passing of the basket for the final collection as we all exited singing “Christ the Lord is Risen Today – All-all all lea-lu-lu ia” It was 1 a.m. in the morning. And the stone was ready to be rolled away at dawn.

 

Easter Sunday

We got up at sunrise and opened our Easter Baskets. We got dressed put on our new Sunday clothes and went back to church for the Children’s Mass at 9 a.m. For most parishioners, it was difficult to understand our Italian accented pastor but I had no problem since my Aunt Mary spoke the same way! After mass, we stopped at Luna Bakery, the neighborhood Italian Pastry shop, for cannoli as dessert after our splendid Easter afternoon meal.

Easter lunch was at 1 p.m.  – baked glazed Krakus Polish Ham, kielbasa and red horseradish, potato salad and overdone string beans that looked brown – cannoli and Easter candy for dessert. We stayed in new garments even as we cleaned up all the dishes and pots. At 3 p.m. we drove back into Newburgh for a walk around beautiful Downing Park to see the spring flowers plantings. My father’s favorite pastime was feeding the corn to the ducks in the pond from a brown paper bag he bought at the park concession stand for 25 cents.

At 7 p.m. we put on our flannel pajamas as we ate left overs, cracking open our Easter eggs and eating our jellybeans and caramel filled chocolate eggs. We gathered together around the television and watched The Ten Commandments on ABC. At 10 p.m. (a late night for all of us), we all went to bed, sated and exhausted from all the  events of Holy Week. With our new clothes neatly hanging in the closet, and the taste of candy still redolent on our breaths, Christ was in Heaven and all was right with the world. Postludium  – Easter Week

Dyngus Monday

The next morning, I would get up extra early around 6 a.m. It was Dyngus Day! It was a Polish tradition for the boys to get up early so they could douse the girls with water as symbol of baptism of a new life in Christ (christening).  I am sure it was based on some sexual pagan rite too.

First I would sneak to my mother’s room and throw a spritz of water on her. She pretended to be asleep and would scream and feign anger. I then slowly crept up the stairs and doused my sister Karen who was sound asleep with a small cup of cold water and she screamed too but with not unreal anger.

 

 Easter Week

The rest of the week was filled with the debris of eggshells, foil wrappers from the chocolates, squashed jellybeans that had fallen to the floor and trampled by our shoes.  We all enjoyed variations on the leftovers. I particularly liked scrambled eggs with chopped up ham and kielbasa. We continued to water our Easter plants till they died usually around Pentecost. The following Saturday I vacuumed up the green cellophane grass which had fallen out from our Easter Baskets and somehow always found their way into the corners of our living room. We put all the holiday decorations back down in the basement. The Sunday after Easter is called “Low Sunday” after the high celebrations of Eastertide. At home and at church, what an apt name that was.

 January 1, 1960   no responses

(My first directors chair)

I called a colleague of mine at 9:00pm on a “school night”. As we were chatting, I heard his 4-year olds playing in the background. So bluntly I blurted out: “Shouldn’t they be in bed by now?”  The reply was: “They aren’t sleepy yet!”

When I was a child of their age we were in bed at 8pm no matter what.  I had to be 10 years old to stay up till 9pm. This caused me great pain and petulance since lots of my favorite TV shows started at that time.

After being sent up be upstairs to my room, I would sneak down the staircase ever so slowly and peer over the banister to snatch glimpses of the show I so wanted to watch. I must have looked like a turtle’s head darting in and out of its shell since I had to avoid my mother’s Medusa glare. It was she who laid down the neo-Nazi martial law curfew of 9:00pm. If father looked up, he would always give me a secret, conspiratorial grin.

When I reached 12 I stayed up till 10:00pm and at high school it was extended to eleven. This was great since my patents went to bed at 10. I had a whole hour to myself to watch whatever I wanted – like the discussion on transvestites on the David Susskind Show or falling in love with Ryan O’Neal on Peyton Place or admiring how well the pants fit on Robert Conrad on Wild Wild West.

My RCA TV set was lucky to receive the local NYC station of Channel Nine, WOR even up in Newburgh, NY sixty miles away from OZ. Million Dollar Movie would show the same film twice every night at 7 & 9pm and multiple times all day Saturday and Sunday. “Tara’s Theme” from Gone with the Wind would swell up and King Kong would hold a clacker board with the title. In the 1950’s, movie studios didn’t want their films shown on TV, but the defunct catalogue of films from RKO Studio were shown on channel 9. I am not lying when I say I saw, 20 times each: King Kong, Citizen Kane, Mighty Joe Young, The Hunchback of Notre Dame, Cat People and all the musicals of Fred and Ginger.

Also Million Dollar Movie showed a great many foreign films of post war Europe. I grew up on Italian neorealism and sometimes I could not tell the difference between the streets and characters of the Bronx/Brooklyn from the streets and denizens of Rome/Naples as depicted in De Sica’s The Bicycle Thieves and Shoeshine or Rossellini’s Roma, Open City or Paisano.

I was also watching badly dubbed English versions of La Strada, Nights of Cabiria, Virgin Spring and Wild Strawberries. Here was a 12-year boy grappling with the existentialism of Fellini and the nihilism of Bergman. They would later become staples my college days art house viewing circuit and were a great influence as I strove to be a theatrical director.

The Technicolor psychosexual films of Michael Powell shaped my sexuality. My angst of dealing with my homosexuality was mirrored in their lurid, luscious ripe colors, Freudian subtexts and over the top melodramatic acting. I was the prim mother superior of Deborah Kerr, or the nun who had jungle red lips living in the Himalayas in his Black Narcissus. I was the tenor, Robert Roundsville, as the dashing anti-hero in the Tales of Hoffman; rowing my gondola in the canals of Venice singing the Barcarolle. And I was young Wendy Hiller, a determined girl looking for love in “I Know Where I’m Going” –  (not!)

And then there was the iconic Red Shoes  (based on the fairy tale by closeted author, Hans Christian Andersen) that inspired many a dancer and gay boy cf. A Chorus Line. The Red Shoes was the tragic story of a ballerina torn between her young lover and her career; both ruled over by a mad man who loved them both.Yes everything was not “beautiful at the ballet.” I identified not with Victoria Page, the ballerina, but the Diaghilev-like manic ruthless impresario, Boris Lermontov.

After so many viewings, I could re-encact the final scenes of the Red Shoes by sweeping open the the bathroom shower curtains and stepping out with my wet hair wildy tossed back and weepingly shouting out as Boris on stage announces Victoria’s death: “I am sorry to tell you that Miss Page is unable to dance tonight nor indeed any other night!”

Gliding into the living room, I slipped off my slippers and held them in my hand, close to the floor and cried: “Never the less, we’ve decided to present The Red Shoes. It is the ballet that made her name and whose name she made. We present it because we think she would have wished it so.” Then I danced them magically around the parlor as if Victoria Page, the dead ballerina was still in those shoes and she was in me.

It would be many years later before I could finally say to my lover, “Julian, darling, take off the Red Shoes.”

To be continued…

Note:  Film director Martin Scorsese cites Million Dollar Movie as a great influence on him. By the way our families both emigrated from the same small town, Ciminna in Sicily.

 October 7, 1959   no responses

Mario Lanza

It was already 7:15 am when my mother yelled up “Rise and shine! Rise and shine!” imitating Gertrude Lawrence as Amanda Wingfield in the film version of The Glass Menagerie. I jumped quickly out of the bed almost tipping over my filled-to-the-brim, blue plastic pee pot. I had gotten through the night without wetting the bed again. I gingerly carried the pot down the steep stair case to the bathroom and emptied it into the toilet bowl, only splashing a few yellow drops on the gray linoleum floor tiles, making a Pollack-like design. I grabbed a face cloth and cleaned my face, ears and arms pits; we only bathed once a week on Saturday night.  I brushed my teeth with Ipana toothpaste humming “Brusha Brusha Brusha” like Bucky Beaver on the TV commercial, which made foam drip down my chin making me look like a rabid dog – GRRR.

After drinking a big glass of orange juice, wolfing down a big bowl of Rice Krispies topped with a mound of sugar, I ran back upstairs and put on my school uniform of blue pants, crisp white shirt and woolen knit school tie with a big embroidered SHS on it. I began my daily chores. My mother, like Joan Crawford, was obsessive about order and cleanliness – “What if someone was to visit? Make sure you have clean underwear on! What if you are hit by a bus?”  –  No one ever visited, saw my underwear, and no one I know was ever hit by a bus!

I started by making the upstairs beds, washing and drying the breakfast dishes, vacuuming the living & dining rooms and dusting all the furniture. On Wednesdays I had to take all the doilies off from under the lamps on the end tables – not just dust around them. The hot air heating system always left a white Pompeian coating of gray ash every night. It was almost 8:00am as I ran out to the corner making the school bus just in time.

Wednesday was “released time” day which meant we got out early so the heathen public school kids could come to Sacred Heart School to get religious instruction. Our day always began by standing next to our desks to recite the Pledge of Allegiance to a flag on a wooden dowel hanging precariously over the blackboard, and a saying a short prayer to the Sacred Heart of Jesus. You could tell the time of day by the regimen of the lessons: history, math, geography, art, and religion etc. taught by our very strict sixth grade teacher, Sister Thomas James. Towards the end of the morning we were studying the Baltimore Catechism in preparation for our Confirmations in June. Around 11am I raised my hand to be “excused” to go to the bathroom. The OJ was taking its toll.  I often asked to be “excused” since I had a problem holding it in and was often emphatically, sadistically denied since I was the class clown. Sr. Thomas was getting her revenge. As the pressure grew, I began moving my legs back and forth and crossing them to keep it in.

After an in-depth graphic description of how the Indians tortured St. Isaac Jogues by pulling out his finger nails one by one, I raised my hand again and made an urgent plea. “No, Mr. Smarty Pants. You can wait till school is over.” Of course my classmates all laughed at me so I made an ugly face behind Sister’s back which made the class laugh even louder. She spun around and gave me such a glare that I thought she caused the fire house siren to wail out, but it was only the noon siren – 45 minutes to go. Could I last?

We all jumped and sat up straight when our principal Sister Vincent rapped with her gold wedding band on the on the glass pane on our classroom. She called Sr. Thomas James out into the hallway and whispered something to her, both of them standing still like penguins guarding their eggs in an Arctic storm. I could see tears in their eyes – the Pope must be dead, I thought. Sister Thomas closed the door and she slowly turned to us and said “Dear children, I have very sad news, Mario Lanza is dead. He had a heart attack in Rome; he was only 38 years old.”  Our whole class made a collective sigh. A few of the girls grabbed their lace handkerchiefs as I pulled out my pocket one. We all knelt down next to our desks and said a prayer for him.

http://4.bp.blogspot.com/_Et1OHNmm4-k/Sy1PJPmkOoI/AAAAAAAAB8g/w-uySg7gtdg/s320/mario+lanza.jpg

In our Italian parish of Sacred Heart, Mario Lanza was a god, an idol, our hero. He was the most famous tenor in the world, a working class Italian American who made good and became a handsome romantic Hollywood movie star. The nuns all had a crush on him and I had most of his albums. I had a crush on him too ever since my mother had taken me to the Ritz Theatre to see the MGM musical, The Great Caruso. When my parents went out shopping and I was all alone, I would shut off the lights in my bedroom, put on one of his albums, lay on my bed  in the dark, and become enveloped in his warm, bell toned voice. I believed he was singing just to me.

Deep in my heart dear, I have a dream of you…

The bell of our church started to peal slowly like it did when there was a funeral and I couldn’t hold it any longer as it slowly ebbed down the sides of my dark navy blue gabardine pants; trying to release it a little bit at time so no one would notice. I kept staring straight ahead, listening intently to every word Sister said when BRRRINGG, the school bell rang. It was finally 12:45pm and we were “released” for the day.

I ran to the Boy’s Room, went to a stall, sat down and poured out a steady stream – WHEW! The left side of my pants leg was soaked right down to the cuff. If my mother found out she would throw a fit and hit me. “It’s your own fault you wet the bed, you’re too lazy to control yourself!”  I pulled my pants back up when I realized this was my lucky day. I could take a later bus home from the Polish Parish of St. Francis and hang out in Newburgh for awhile and air out my pants till they dried. Maybe I could get away with it if it didn’t smell so bad. I waited for everyone to leave before I headed over to Broadway, the main street of Newburgh. I would go to the public library to listen to some Mario Lanza records before catching that later bus.

http://upload.wikimedia.org/wikipedia/commons/c/c7/Broadway,_Newburgh_NY.jpg

Broadway

We had just moved from the City, leaving all our relatives and my friends behind.  Newburgh was sixty miles north of New York and it was once voted “All American City “with its many tree-lined streets and High Victorian style homes. I was walking bow-legged in time to the funereal tolling bell so the breeze could pass through my pants and dry them out. I often sang when I walked; turning the corner onto Broadway I began to sing one of Mario’s hit songs from the movie, The Student Prince. Actually only Mario’s voice was heard in the film since he had gotten too heavy and unreliable from drink to be in it.

 

Be my love for no one else can end this yearning;

This need that you and you alone create…

My first stop was Schwartz’s Department Store to see if any new Broadway original cast albums had come out. I already had this season’s Gypsy and The Sound of Music, and I was waiting for my pre-order of Fiorello to come in. I checked out soundtracks but continued empty-handed down the steep wide avenue past South William Street and the Jewish Section.  I sauntered along Broadway, window gazing in a lost lonely reverie, singing lustily now.

Just fill my arms, the way you fill my dreams.

The dreams that you inspire with every sweet desire…

I stopped mid-song embarrassed when an elderly Jewish lady came out of a haberdashery shop. I pretended to look at some Ladies lingerie in the shop window. Humming now, I picked up my pace to the Broadway Theatre where the tear jerker, Imitation of Life starring Lana Turner was showing. Who wouldn’t cry at the final scene when the light skinned daughter who passed for white cries out and flings herself on the coffin of her dead colored mother? “I am telling you, it’s my Mama! Please Mama!  Mama! I didn’t mean it!  Mama, do you hear me? I’m sorry Mama. I killed my mother!  I’m sorry Mama! I did love you!”

Feeling hungry I went next door to Texas Wieners and sat at the counter where I ordered a hot dog smothered with sauerkraut and onions and a cherry coke. I spun round and round on the red vinyl covered stool, pressing the crease down my pants with my thumb and forefinger. The hot dogs weren’t as good as at Pete’s up by Sacred Heart but they were pretty tasty when they put their special sauce on. I was trying to squeeze some yellow mustard from a dirty plastic container when an old Negro man came in and sat down next to me. I was so startled; this was the first time I had seen a black man close up. I spun around a bit too quickly and a bright yellow blob of mustard shot on my pants along with a big glob of the Texas Weiner special reddish sauce. I smiled nonchalantly as I reached over and pulled a paper napkin from the metal holder. I only made things worse by smearing the mess into the fabric of my trousers.

The Negro gentleman ordered as he was reading the Newburgh News aloud to himself. “It’s a damn shame, damn shame, so young, only 38,” sharing the news of Mario Lanza’s death with waitress behind the counter who pulled out her white doily handkerchief from her white uniform and dabbed her eyes. “What a voice” I stammered out as the man glanced over and continued reading from the sports page. I gobbled down the frank, gave a quick smile back to the man, and walked out using my schoolbag as camouflage to hide the stain.  I glanced back for one more look at him when I banged my nose on the door and made a quick exit.

I bobbed into Sears & Roebuck to check out the new stereos, stuck my nose in the lobby of the Hotel Newburgh where Mrs. Dickey who worked with my father stayed, and loitered in front of the Ritz Theatre where the The Gene Krupa Story was playing. I lingered over the lobby cards that showed Sal Mineo playing the drums. I noticed a few empty storefronts now on Broadway, and since this busy section was sort of deserted, I continued singing.

Be my love and with your kisses set my burning

One kiss is all that I need to seal my fate…

Mount Beacon loomed across the Hudson as I tuned left onto Grand Street, past the YMCA and Irish Parish of St. Patrick’s to Newburgh Free Library. The Library was a Victorian Gingerbread fantasy and the interior looked like the movie set of The Music Man, complete with metal spiral staircase up to the wrap-around-balcony where Professor Harold Hill could have sung “Marion the Librarian.”  I threw my jacket and school bag down on the seat next to the turntable to save myself a spot. I looked up the catalogue number for LP of The Student Prince with Mario Lanza and found the disc, put on a pair of headsets, and started to listen. I closed my eyes and in my mind I was a student studying at Heidelberg, as I started to sway my hand and pretend I was hoisting a stein of beer.

Drink! Drink! Drink!
To eyes that are bright as stars when they’re shining on me!
Drink! Drink! Drink!
To lips that are red and sweet as the fruit on the tree!

Miss Smith, the librarian, tapped me on the shoulder, startling me and whispered to stop humming along. The jolt made me kick the base of the record player and it skipped ahead to the famous “Serenade.” Prince Karl with his fellow students sings to his beloved Kathi, under the tavern girl’s window. I discreetly wiped a tear from my eye, just in case anyone saw me. I looked at my Timex and realized I was late for the afternoon bus home. I quickly put the LP carefully back in its sleeve, holding the edges by my fingertips and checked it out and ran out the door. Miss Smith sighed as she stamped the return card with her date stamp, commiserating with me on our tragic loss.

 

http://fleamarket.benzplace.com/lps/LP_lanza.JPG

It was a quick walk up the bluff to St. Francis on Benkard Avenue. I barely caught the bus so I had to sit on an aisle seat next to a fat Slavic girl munching like a beaver on pretzel logs. I kept my school bag on my lap to hide the rosy sauerkraut stain which was now redolent of a faint smell of uric acid.

The bus dropped me off on Rte. 94 and I walked with dread the two blocks back to our Cape Cod house. My mother was already home from the factory, preparing dinner when I rushed in. “Hey Ma, don’t be mad but I spilled sauerkraut on my pants so I am gonna put them in the hamper.” I demurely went to the bathroom, pulled off my slacks buried them deep in the hamper under some other dirty clothes, then ran upstairs in my BVD’s to my bedroom.  I threw on my dungarees, started to read the liner notes of The Student Prince and flopped on the chenille bedspread, escaping my mother’s wrath.  Or so I thought-

“Prince Charles, come down here now! So you think you can fool me, Little Man!”

I was caught. My mother only called me Prince Charles when she was extremely mad at me which was often (Prince Charles was born 4 days before me and she and  Queen Elizabeth came to term at the same time). My mother’s outbursts would rise up like a tsunami swift, high and sudden. I bolted down the stairs almost tripping on the last tread and knocking the Pixie off the wall.

“I told you on Wednesdays, you had to take the doilies off when you dusted! Look at this!”

With a flourish she lifted up the lamp and snapped up the doily. There underneath was a perfect palimpsest of the doily outlined by the dust.

“A pig lives better than this!”

“M-M-Mama…”I started to explain to her about Sr. Thomas not letting me be excused but I couldn’t get the words out fast enough.

“Spit it out!”

“Mama, I didn’t mean it!  Mama, do you hear me? I’m sorry Mama. I was late for the bus. It won’t happen again, I’m sorry Mama!”

“I say you are sorry, go up to your room and go to bed; no dinner for you, lazy ass.”

With a spring in my step I ran up stairs, shut the sliding vinyl panel door and almost laughed as I jumped on the bed – a bravura performance. – I never stuttered onstage.  I got away with the peeing in my pants. I took an imaginary bow in front of the dresser mirror like in the ending of All About Eve. I finished my homework and went back to the liner notes on the LP, thinking about the handsome Edmund Purdom who played the Prince lip-synching to Lanza.  Damn I thought, I should have bought the soundtrack to The Gene Krupa Story at Schwartz’s so I could fantasize over Sal Mineo in his big drum solo with the Glen Miller Orchestra, playing “Cherokee” in a wild frenzy. “Do you hear that Ma? They approve!”

http://wetmen.provocateuse.com/images/photos/sal_mineo_01.jpg

Sal Mineo

 

I got out a new pair of pants and set out my clothes for the morning. Downstairs dinner was over and the evening was settling in as my parents started to watch TV. The news was filled with the untimely death of Mario Lanza. My brother had fallen asleep next to me when I went over to my little phonograph and put on my copy of The Student Prince. It was dark out now. I moved the player next to my side of the bed and just barely turned up the volume so only I could hear it. In the distance the opening theme music of Wagon Train wafted up from the living room. I put the needle down on Track 6 to listen to Mario Lanza sing the famous “Serenade.”

Over head the moon is beaming

 White as blossoms on the bough

Nothing is heard but the song of a bird

Filling all the air with dreaming

The TV was turned off. My mother went to bed downstairs and my father got into his bed next to mine. His eyes told me it was alright to keep the music playing. He gently snored. It was a sad day for me.  Mario Lanza had died and I had wet my pants. I started to drift in and out of sleep listening to Mario’s golden voice serenade me.

Could I hear this song forever
Calling to my heart anew, my Darling
While I drift along forever

Lost in a dream of you 

I gave a loud burp caused by the afternoon hot dog. My thoughts strayed back to the day; therere was something strange about my walk down Broadway in Newburgh, the “All American City.” It was late now so I gave the matter no more thought. * The house was still. The needle of the record reached the end of the album and it must have been clicking over and over for a long time before I woke up and shut it off but I still heard Mario. 

I hear your voice in the wind that stirs the willows
I see your face in the stars that shine above
(Hold me closer, tonight we love)

The willows bending, the stars that shine

The chamber pot was underneath the bed. I strained but there was nothing. I was hungry but instead of sneaking to the kitchen I got back into bed.  It was safe up here, downstairs, my pants and my sins were buried in the bathroom hamper. Mario’s voice lingered in my dreams.

The shore lights blending, they’re yours and mine
Drifting along, in my heart there’s a song

And the song in my heart will not fade

Oh, hear my serenade, my moonlight serenade

“Rise and Shine! Rise and Shine!”  I didn’t wet the bed that night.  I got quickly dressed in my clean pair of pants, white shirt and tie. I skipped the OJ, removed all the doilies, dusted all around them and caught the bus on time. The school day went by fast –

# 63 Is original sin the only kind of sin?

Original sin is not the only kind of sin; there is another kind, called actual sin, which we ourselves commit.

#64 What is actual sin?

Actual sin is any willful thought, desire, word, action, or omission forbidden by the law of God.

 

On the way home, I gazed out the school bus window; Newburgh looked the same. When I got home I rode my old Schwinn bicycle to the dry cleaners and dropped off the laundry. On the way back, coasting on my bike down a long, long hill, I raised my hands in the air, singing all the way… 

Overhead, the moon is beaming

White as blossoms on the bough

Nothing is heard but the song of a bird

Filling all the air with dreaming

Could this beauty last forever?

I would ask for nothing more, believe me

Let this night but live forever

Forever and ever more

(click for video of Serenade)

 

*****************

Newburgh, New York

*

“In the early 1960s, Newbugh fell into urban squalor  and soical unrest like most small American cities. The city’s response to the economic decline was an ambitious urban renewal. The city’s historic waterfront area, an area composed of several square blocks which included numerous historically significant buildings, was completely  demolished. A grand complex that was planned for the urban renewal area was never built. To this s day, the blocks which slope down to the river remain open, grassy slopes, offering sweeping views of the Hudson but generating no property taxes for the city. In the early 1960s, city manager Joseph Mitchell and the council attracted nationwide attention and the admiration of political conservatives when they attempted to require welfare recipients to pick up their payments at police headquarters. Mitchell later announced a program aimed largely at blacks on welfare, who many in the community blamed for its economic problems. After opposition by both state and federal officials, the program created a national controversy and never went into effect.”

 September 10, 1959   no responses

I was fortunate to grow up in the 1950’s, the last great flowering of the American Songbook. My musical tastes were formed by viewing the many television variety shows like Lawrence Welk and the Bell Telephone Hour as well to listening to Broadway show albums. My Uncle Joey on the Polish side of the family exposed me to the glory of Gershwin and Kern, the lush melodies of operetta and the songs of movie musicals. Curiously I discovered classical music all on my own. I have a great knowledge of classical music that I learned from reading the liner notes of records, over and over. It was my Uncle Joe who bought the first Hi-Fi that I would sit and listen in front of, transfixed like Nipper, the RCA dog.

Here are few some songs that changed my life growing up through adolescence before the Beatles and rock and roll took over the airwaves:

“Only Make Believe” (from Show Boat)  -My mother would sing this song a lot. Did she think her love was only that? Indeed Show Boat has become a great influence on me as I identified with Julie LaVerne, the tragic chanteuse. I think my Uncle Joe and my mother saw the 1949 revival on Broadway so it was played a lot. “Old Man River” too of course.

“If I Loved You” (from Carousel)  – Another favorite of my mom, always tentative love. I still sob at the ending when Billy Bigelow says, “I loved you Julie, know that I loved you.”

“Rhapsody in Blue” – One of the first LP’s I bought at Merkels, a butcher that for some reason had a weekly record promotion.

“On the Street Where You Live” (from My Fair Lady) – Another LP but a lesson learned. I bought this at Woolworths for 99 cents. It was not the original cast recording as I soon discovered when I brought it home and played it.

“The Beer Barrel Polka” and the “Too  Fat Polka” – music to eat golumpki and kielbasie by.

“Volare” – My Italian uncle taught me this song on his guitar and I would sing it at family gatherings. OH OH!

“Shine on Harvest Moon” – This is the song that I sang in the fifth grade at my parochial school talent show. From then on, I was nicknamed “Shine On” by the lady who would sell meatball heroes for 25 cents at the deli next door.

“The Merry Widow Waltz”  (from Lehar’s operetta) – I hummed this often and danced around the living room.

“The Drinking Song” and the “Serenade” (from the Student Prince) – Mario Lanza’s voice in the movie sent chills down my spine.

“Cry” sung by Johnnie Ray – “If your sweetheart sends a letter of goodbye.  It’s no secret you’ll feel better if you cry …” a closeted homosexual paean sung by one to one.

“Come on-a My House” sung by Rosemary Clooney. The theme of inviting someone in with fruits and nice things to eat, but with the hidden offering of sexual favors.

“Some Enchanted Evening” (from South Pacific) – My favorite song of all. I would hum  this to myself as I stood alone in Julius’ looking for that stranger. I finally met him and his name is Gary.

 March 10, 1959   no responses

The Bronx

Nonna, Baby Michael, Me, Cousin Viola, Aunt Mary & Uncle Nick

My Aunt Mary was a life force in my childhood. Well no one called her Aunt Mary. We all called her Titsie!  This was a corruption of Tzia, Sicilian for aunt, but as a child I pronounced it TIT-ZEE. Unbeknownst to me, this was a great joke. Aunt Mary had a great pair of knockers, as Bette Midler would say, so TIT-Zee was an appropriate malapropism. She wore Lana Turner-tight cashmere sweaters, jungle red lipstick, and was the spitting image of the great Italian actress Anna Magnani. She spoke English with gusto in a thick Sicilian accent.

My aunt was a consummate cook and I have never tasted a better meatball than the perfectly round ones she made. My Polish mother came close since she was under her tutelage and was ordered by my father to cook Italian. Aunt Mary prepared full meals every night for her husband, whom I called Uncle Nick. Sunday dinner at 1pm was the main event for all the family: macaroni, with meatballs, sausages and braciole followed by roasted chicken with rosemary flavored potatoes and escarole sautéed in garlic with lemon. Dishes were cleaned up, dried and put away. The table was cleared and re-set with mixed nuts; finocchio, espresso and store bought Italian pastries. Then we would start all over again in the evening with sandwiches made with the leftovers.   We never went out to an Italian restaurant. Why would we? Indeed, I don’t remember my aunt ever going out to eat. Nothing came up to her standards.

Famous Italian Star Anna Magnani

On a cold November weekend in 1959, my parents had yet another one of their bitter fights so my Dad and I were stayed with my Nonna on Beaumont Avenue in the Bronx.  Aunt Mary and Uncle Nick lived upstairs as was typical of Italians in a average middle class Bronx tenement building.

That Saturday night, Titsie looked at me knowingly and asked if I wanted to go to the movies with her. In those days, one never checked a schedule for movie times. You just went to the theatre and walked in and caught the film in progress. You stayed till the movie started over. Hence the phrase: “This is where we came in.”

It was a chilly, damp eveing as we drudged up the gray dirty snowy streets of Fordham Road. I was dressed in a red/black checkered wool plaid winter coast, my aunt in chartreuse overcoat and colorful kerchief. She puffed on her Camel cigarette like the “little engine that could” going up the steep Fordham Road hill. My aunt didn’t just inhale; she sucked the smoke in like a vampire and made a lip smacking popping sound as she exhaled. She did everything with gusto.

We crossed under the Third Avenue El as the subway cars careened and shrieked around the tight corner of the Sears & Roebuck Building. Up the hill we went passing many small emporia: a haberdashery that sold ladies lingerie, a hosiery store with nylon stockings in neat little cardboard boxes, a cigar shop and pawn place with those three golden balls hanging over the doorway.


We stopped first at the Valentine Theater on Valentine Avenue. Last Train from Gun Hill was playing. It was as a Western but I was confused since I knew there was a Gun Hill Road in the Bronx so how could this be a Western? As my aunt looked at the lobby cards, I looked longingly up Valentine Avenue to Jahn’ s Ice Cream Parlor, hoping my aunt would get the hint. They were famous for their “kitchen sink” ice cream sundae. “Too much shoot ‘em up,” she said sounding eerily like an Italian John Wayne.

Right up the block was the RKO Keith Fordham, a huge movie palace. My aunt said she didn’t like war movies so we didn’t get to see South Pacific. Past the army recruiting station, over the Grand Concourse with Krums famous Candy Store and the Loews Paradise, rounding the catty cornered huge Alexander’s Department Store for a few more blocks to the second-run little movie theatre, the Lido. And lo and behold, guess was playing that epochal night? Auntie Mame!

My aunt paid her 75 cents adult admission and my 35 cent children under 12 admission – no popcorn, too expensive!  We walked in as Mame Dennis was “hung” over in bed with her attendant nephew Patrick. Auntie Mame is an iconic movie for gay men starring one of the actresses in the homosexual pantheon of divas, Rosalind Russell. Roz was a hard-hitting actress, strong, tough almost masculine in her drive with acid wit. His Gal Friday behind her, her Mama Rose of Gypsy was still to come.  How did my Aunt Mary know to take me to see that movie out of all the others? Maybe it was just coincidence or maybe Titsie just knew best.

Roz as Auntie Mame

How ironic and momentous was this? Almost like Oedipus meeting the Sphinx and receiving his fateful knowledge. Little Anthony, gay boy in the making – sitting in a darkened movie theatre next to his Italian Neorealim Aunt – watching Rozalind Russell as Auntie Mame. Was this the crossroads where it all began?

“Live! Live! Live! Life is a banquet and most poor suckers are starving to death!” “This is where we came in”, Aunt Mary announced as she bundled up her coat and marched up the dark, dark aisle of the Lido. Out we went into the cold, the Jerome Avenue El to our right, farther right was the original Loehman’s where once my Aunt dragged me into a communal dressing room to try on a prized acquisition.

Dazed, blinded by the snow, over the Concourse and through the turf of The Wanderers, we went down the sloping hill of Fordham Road. I slowed down like a puppy on a leash that does not want to go home as we crossed Valentine Avenue. Then my Auntie Mame gave a shove to the left as she dragged me around the corner to Jahn’s. Sitting at a booth, we shared a hot fudge sundae. She looked across the formica table, stared me deep in the eyes and said: “I’ma your Aunt Mary, don’ta you forget it.” How could I forget it? I would remember what she said to me again in 1972 when she took me in for three years to live with her and my Uncle Nick when I went to graduate school. We didn’t have the “kitchen sink” that night; I had everything else but…

Life is a banquet and I have lived my life every day like my Aunt Mary – braving the elements to see a movie, standing over the stove watching the sauce bubble, savoring the leftovers, snatching up a bargain with brio and shouting Aha! And inhaling life and exhaling with a gusto.

 

Live! Live! Live!

 April 28, 1958   no responses

The Rodgers & Hammerstein musical, South Pacific, has been a great artistic and emotional influence on my life.

1948 – The Original Cast

I was born in 1948, the same year as the publication of James Michener’s Tales of the South Pacific. The following year Richard Rodgers and Oscar Hammerstein turned it into the hit Pulitzer Prize winning musical – the story of love and war; the clash of cultures on the other side of the world.

My Uncle Joey on the Polish side of my family, saw the show and owned a set of 78’s starring Mary Martin and Ezio Pinza. As a young boy whenever I went to grandma’s house, Uncle Joey would play the music for me. Yes Uncle Joey along with my Uncle Eddie were bachelors and lived with my grandma in Bay Ridge, Brooklyn. This was not an unusual arrangement due to the housing shortage after World Word II and the social mores of the time (pacé Harvey Fierstein re: A Catered Affair).

 

I didn’t know the story at all but I would sit in front of the Victrola and play the songs over and over again in thrall to Mary Martin (I guess it’s in the gay genes). My mother would sing “Some Enchanted Evening” as she washed the dishes or set the table. That song I think is my favorite of all of the many hits from the show for many reasons. The first is the lush sweep and beauty of the song and the second is that my Uncle Joey and my Mom would sing it to each other. Looking back I can see why it would resonate to them. My mom would have just met my dad and my Uncle Joey alas was alone and I suspect homosexual. Both were looking for that “stranger” who would take them away to “that special island” and make their life beautiful.

1958 – The Movie Version

The movie version came out in 1958 in Todd – AO -which according to Cole Porter meant “glorious Technicolor and stereophonic sound”.  I almost saw the film for the first time in the Bronx with my Aunt Mary but she passed it up since she “didn’t like war movies” So I got to see it with my mother at the Broadway Theatre on a Wednesday afternoon in downtown Newburgh, New York.

Of course, one never paid attention to movie starting times so my mom and I entered the theatre about 30 minutes into the film, just in time for “Bali Hai.” We sat down in the darkened theatre. My mother started to mutter as she was wont to do and kept looking at the screen and then back up to the projection booth. “Something is wrong with the picture!” she blurted out. “The colors are off.” She poked me and whispered rather loudly that I should go out and tell the manager to fix it. I embarrassingly approached one of the theatre matrons and she brusquely said nothing was wrong and escorted me with her flashlight back to my seat

When I got back into the auditorium, indeed the film looked fine. My mother did not believe my answer until the next song started and the screen started to go through a kaleidoscope of lush color washes.  Of course, now we all know about the notorious color gels Joshua Logan had used to enhance the mood when anyone sang which received great critical distain.  So the laugh was on her or Josh when we walked in to see a yellow to purple to amber Juanita Hall singing on the beach. I loved it.

 

This is also when I fell in love simultaneously with Rossano Brazzi as Emile de Beque and John Kerr as Lt. Cable. Rozzano was the handsome older cultured gentleman, a stranger I would like to meet one day.  I almost came in my pants when John Kerr wore his little white trunks during the song “Happy Talk.” I swear to this day you can see the outline of his dick when he jumps in the lagoon for the underwater sequence – “Happy Talk” indeed.  And how can I not fantasize as a gay teenager over the SeaBees played by all the hunky men that Joshua Logan always cast in his shows. This was one closeted homosexual director if I ever knew one. I could only imagine the guys he had on stage in his musical “Wish You Were Here” which features a swimming pool on stage.

I think I saw the movie 8 times in 1958/59. I even dragged my hard-of-hearing Polish grandmother to the RKO Dyker Heights in Brooklyn to see it. Somehow she heard it all and we both walked out weeping.

Gathering my neighborhood pals together, in 1960 I put on the show in my best friend’s garage. We all lip-synced to the soundtrack and I played Bloody Mary but in my heart I was Emile. And in 1969 I saw a production at Guy Lombardo’s Jones  Beach Theatre, with an elaborate Boar’s Head Ceremony and I think even a exlploding volcano!

 

Since then I have seen the movie at least 12 times on VHS, Laser Disc and DVD.

South Pacific

1968 – Lincoln Center Revival

I took my mother to see the show at Lincoln Center when Richard Rodger himself headed up a two year musical summer season of shows. I was going to college in Manhattan and Lincoln Center had just opened two years prior. It was a great production directed by Joe Layton and starred Florence Henderson and Giorgio Tozzi who had dubbed Mr. Brazzi’s voice in the movie.

As a teenager I was looking for that “stranger “in every crowded room I entered not to mention the restrooms of the Performing Arts Library at Lincoln Center.  I was always on the prowl in the city from street to subway to theatre to park. One night I wound up in the Rambles in Central Park.

My dorm was only tfour blocks away and on a hot summer’s night like a lemming I instinctively knew where to go. The scene was something like the movie “Night of the Living Dead”. Men roaming the woods like Zombies looking for love in the all wrong places. As I was nervously meandering, a group of Hispanic boys jumped me and threw me to the ground with a jack knife at my throat. I had no money of course. They took my Timex watch that I had just received for my High School graduation from my godfather Uncle Joey. They wanted to take my class ring but I somehow talked them out of it. They laughed in my face calling me a maricon as they disappeared into the evening.

They were not the strangers I had in mind. Well they were cute but let’s not go there. However in a weird way this incident t may have saved my life since never again would I go to the Rambles and ever put myself in that kind of jeopardy. This was very lucky since the dawn of the 1970’s gay liberation was about to burst. I avoided the specter of Aids that lurked in the darkness and the underbelly of the city in the 1970/80s..

2008 – Broadway Revival

Gary and I celebrated our 25th anniversary in February 2008 and we included “Some Enchanted Evening” in our musical review. I guess I was Emile and he was Lt. Cable confusing the two plot strands! In April we saw the revival of South Pacific currently playing at Lincoln Center.

The revival at Lincoln Center curiously left me cool. I was not involved with the show which is ironic since I can hardly watch the movie without tearing up. What was wrong?

Kelli O’Hara was great as Ens. Nellie Forbush but casting Emile de Becque younger diminished the tension and heightened sexuality of a younger American woman falling in love with an older Frenchman in 1942. There was no frission between them. Also casting Lt. Cable younger makes his singing of “Younger than Springtime” incredulous since how can he feel younger than springtime when he is a kid himself.

There was no sense that war had thrown these characters together and the hot house atmosphere of the South Seas was making them take chances in their lives and fall in love with abandon. I had more danger in my ramblings in Central Park looking for my strangers. And where was Josh when you needed him to cast the sailors with men and not with pasty white preppy chorus boys playing grownup. They culd have at least used body makeup to suggest tans.

Yes, the music was played gloriously but I think they were grandstanding and ostentatious when the orchestra pits opens up to reveal the players. “Hey look at the 30 of us! Wow see how a nonprofit subsidized theater can throw away money.” Wagner would not have been pleased. He put the musicians in the pit for a reason to achieve Gesamtkunstwerk.

 

 

Finale Ultimo

So why does South Pacific speak to my soul? –

Being a cockeyed optimist is a nicer way of saying I am cynical – The great fantasy of meeting a stranger across a crowded room even if it is only a one night stand and falling madly in love or lust.

“Washing that Man Right out of your Hair” that u met the evening before and doing it all over the next night .

Seizing the moment cause who knows tomorrow you may be dead and you don’t want to be singing. “This Nearly was Mine” at your funeral

Working out 5 times a week so I can be “Younger then Springtime” which is why I work out 5 times a week to have “Honey Buns.”

Being on the beach with a bunch of macho sailors

Finding that special island: Coney, Fire or Manhattan.

And singing at the top or your lungs on top of a double-decker bus heading down Fifth Avenue: “I’m in love, I’m in love, I’m in love, I’m in love, I’m in love with a Wonderful Guy!” And he is sitting next to you singing back.

 

Some enchanted evening
You may see a stranger,
you may see a stranger
Across a crowded room
And somehow you know,
You know even then
That somewhere you’ll see her
Again and again.

Some enchanted evening
Someone may be laughin’,
You may hear her laughin’
Across a crowded room
And night after night,
As strange as it seems
The sound of her laughter
Will sing in your dreams.

Who can explain it?
Who can tell you why?
Fools give you reasons,
Wise men never try.

Some enchanted evening
When you find your true love,
When you feel her call you
Across a crowded room,
Then fly to her side,
And make her your own
Or all through your life you
May dream all alone.

Once you have found her,
Never let her go.
Once you have found her,
Never let her go!

 


 February 20, 1958   no responses

I am a stutterer.

Like an alcoholic, the admission of stuttering is the definition of the condition. When I was a boy I lived in fear of speaking. I stuttered, albeit not severely but still I stuttered. There are many theories as to why one stutters – physical, emotional, traumatic and there are many treatments but none conclusive.

My first memory of stuttering is in the second grade at St. Thomas Aquinas School in Brooklyn when Sister Rose called my mother in to tell her of my problem. I had no idea I had one and in a very typical way, the naming of the problem made it a bigger problem! Now everyone would be watching and listening to everything I said, including me which of course, made it worst. Sister Rose offered no solutions but my mother did: “You should go out and play more instead staying inside listening to your stupid records over and over again”, “think before you speak”, “Enunciate” and the big one – “slow down!”  I still that get one!

I could deduce that my speech impediment was caused by family unrest and soap opera drama. Who knows or is it just genetic? I noticed a British patrician stammer pattern on my mother’s side of the family but we were not to the manor born. “The rain in Spain stays mainly on the plain.”  I never got it …
However, stuttering or not, I was the class clown, making wiseass comments from my strategically placed desk in the back of the classroom. Eventually my teacher would find me out and would punish me by making me stand in the front corner of the classroom facing the wall with a very colorful dunce cap on my head. Little did Sister Mary Joseph know that she had put me in the limelight, on center stage in costume to try out my wisecracks to a captive audience. All I needed was bells to be the class court jester like Danny Kaye n the movie. This was a role I could play and not be me.

I was desperate for attention from anyone, no matter the inappropriate situation. And it isn’t it ironic that I used language as my method. You may not know this, but usually stuttering disappears when a person sings or acts. There are many famous celebrities who stutter: James Earl Jones, Marilyn Monroe, Mel Tillis and Carly Simon.

Also we stutterers are clever people: we develop many tricks to hide our torture to get around full guttural stops. We learn esoteric words (see my above use of albeit) or we use synonyms “Judy Garland at Carnegie Hall was fa-fa-fa-fantastic”, when I meant to say fabulous. Fantastic works as a substitution but if you know Judy you know she was fa-fa-fa-bulous! Syntax comes in handy too so we can twist the sentence around in myriad ways. My studying of Latin came in handy – omnia vincet amor – “All conquers love”.
In 1958 we moved to Newburgh, New York where I attended Sacred Heart Parochial School. Still stuttering, I decided in the fifth grade to enter the parish talent show to show everyone that when I sang, I didn’t stammer. I picked “Shine on Harvest Moon” to sing because I loved the song on my “Sing along with Mitch” album that I played over and over. On the day before I asked and rehearsed with the church organist, Mrs. O’Brien who accompanied me on an old upright no-so-in-tune piano.

So there I was on a cold Sunday afternoon, standing on the stage at Gallo Hall in the basement of Sacred Heart School. Out in the dark were friends and family and another hundred people. I nodded to Mrs. O’Brien to start. I was petrified and I sang standing very still, “Shine on, Shine on Harvest Moon up in the sky. I Ain’t had no loving since January, February, June or July.”

I got through the first part when I saw my mother’s face in the audience. I thought she was gonna run down the center aisle yelling “sing out Louise!”   So I finished up with more bravado. Polite applause. Not my mother screaming out “that’s my boy, that’s my little Anthony,” like from the last scene in The Music Man.  I bowed and quickly went off stage till the conclusion of the talent show. At the end, there was a grand bow of all the performers including my friend Peter who had played “Lady of Spain” on his accordion; Shaking it at the end to great applause.  He won! (The bitch)
The two people I wanted to impress the most were in the audience; my mother and my teacher, Sister Mary Joseph. I ran down the center stage three little steps to my mother. “How’d I do ma?” How did I do?” “Anthony, it was nice. But you just stood there, like a clump and why didn’t you sing, “For Me and My Gal” like on the Mitch Miller album that you play over and over?”  “Thanks ma.” I looked all over for Sister Mary Joseph but she already left. I waited till class on Monday to get a response but she said nothing.

No one got that I did not stutter.

I am a stutterer.

However on the next day, Monday morning back at school I decided to treat myself to lunch with the quarter that my father gave me when I got home from the talent show. He couldn’t go because of his Parkinson’s but he asked me all about it.

During lunch hour, I went next door to the little Italian deli that was popular with all of us school kids. I ordered a small meatball hero.  I slid my quarter into the nice Italian lady, Mrs. Costanzo’s hand. She reached out over the counter, grasped my hand in hers and looked right into my eyes smiling saying to me, “Baby you sang so nice yesterday”. She then reached backed to Mr. Costanza and handed me the larger 35 cents sub. “Shine on, Anthony, shine on!” Holding back my tears, I barely got out, “Oh thank you so much Mrs. Costanza, oh thank you so much.” … I didn’t stutter. She called me “Shine On” till I graduated three years later.

So thus began my life journey in the arts to find a voice, to find a love and not to be known as the stuttering Porky Pig but maybe the sexy actor, Sal Mineo or the dynamic and articulate director Elia Kazan.

But  back then who would have known there was a secret entrepreneur inside me that with the help of all you and especially Gary that I am now here speaking in front of you today, somewhat fluent, still not slow but feeling very successful and loved. “The rain in Spain, stays mainly on the plain.” I think I finally got it!

But what I actually didn’t’ get until I wrote this story was hat Mrs. Costanza for all that time wasn’t calling me Shine On.  She was telling me  to “Shine On!” “Shine On!’

So I  think it’s time after fifty eight years, it’s time to “Shine On” and sing “Shine on Harvest  Moon” again in front of my family.

But I ain’t doing it alone! So please help me out and sing along with Tony.  Somewhere Mrs. Costanza shines on and Mom,  we’re singing,” For Me and My Gal” too.

Sing along with Tony:

Oh, Shine on, shine on, harvest moon

Up in the sky;

I ain’t had no lovin’

Since January, February, June or July.

Snow time ain’t no time to stay

Outdoors and spoon;

Shine on, shine on, harvest moon,

or me and my gal.

The bells are ringing for me and my gal
The birds are singing for me and my gal

Everybody’s been knowing to a wedding they’re going
And for weeks they’ve been sewing, every Susie and Sal

They’re congregating for me and my gal
The Parson’s waiting for me and my gal

And sometime I’m goin’ to build a little home for two
For three or four or more
In Loveland for me and my gal