October 7, 1959   no responses

Mario Lanza

It was already 7:15 am when my mother yelled up “Rise and shine! Rise and shine!” imitating Gertrude Lawrence as Amanda Wingfield in the film version of The Glass Menagerie. I jumped quickly out of the bed almost tipping over my filled-to-the-brim, blue plastic pee pot. I had gotten through the night without wetting the bed again. I gingerly carried the pot down the steep stair case to the bathroom and emptied it into the toilet bowl, only splashing a few yellow drops on the gray linoleum floor tiles, making a Pollack-like design. I grabbed a face cloth and cleaned my face, ears and arms pits; we only bathed once a week on Saturday night.  I brushed my teeth with Ipana toothpaste humming “Brusha Brusha Brusha” like Bucky Beaver on the TV commercial, which made foam drip down my chin making me look like a rabid dog – GRRR.

After drinking a big glass of orange juice, wolfing down a big bowl of Rice Krispies topped with a mound of sugar, I ran back upstairs and put on my school uniform of blue pants, crisp white shirt and woolen knit school tie with a big embroidered SHS on it. I began my daily chores. My mother, like Joan Crawford, was obsessive about order and cleanliness – “What if someone was to visit? Make sure you have clean underwear on! What if you are hit by a bus?”  –  No one ever visited, saw my underwear, and no one I know was ever hit by a bus!

I started by making the upstairs beds, washing and drying the breakfast dishes, vacuuming the living & dining rooms and dusting all the furniture. On Wednesdays I had to take all the doilies off from under the lamps on the end tables – not just dust around them. The hot air heating system always left a white Pompeian coating of gray ash every night. It was almost 8:00am as I ran out to the corner making the school bus just in time.

Wednesday was “released time” day which meant we got out early so the heathen public school kids could come to Sacred Heart School to get religious instruction. Our day always began by standing next to our desks to recite the Pledge of Allegiance to a flag on a wooden dowel hanging precariously over the blackboard, and a saying a short prayer to the Sacred Heart of Jesus. You could tell the time of day by the regimen of the lessons: history, math, geography, art, and religion etc. taught by our very strict sixth grade teacher, Sister Thomas James. Towards the end of the morning we were studying the Baltimore Catechism in preparation for our Confirmations in June. Around 11am I raised my hand to be “excused” to go to the bathroom. The OJ was taking its toll.  I often asked to be “excused” since I had a problem holding it in and was often emphatically, sadistically denied since I was the class clown. Sr. Thomas was getting her revenge. As the pressure grew, I began moving my legs back and forth and crossing them to keep it in.

After an in-depth graphic description of how the Indians tortured St. Isaac Jogues by pulling out his finger nails one by one, I raised my hand again and made an urgent plea. “No, Mr. Smarty Pants. You can wait till school is over.” Of course my classmates all laughed at me so I made an ugly face behind Sister’s back which made the class laugh even louder. She spun around and gave me such a glare that I thought she caused the fire house siren to wail out, but it was only the noon siren – 45 minutes to go. Could I last?

We all jumped and sat up straight when our principal Sister Vincent rapped with her gold wedding band on the on the glass pane on our classroom. She called Sr. Thomas James out into the hallway and whispered something to her, both of them standing still like penguins guarding their eggs in an Arctic storm. I could see tears in their eyes – the Pope must be dead, I thought. Sister Thomas closed the door and she slowly turned to us and said “Dear children, I have very sad news, Mario Lanza is dead. He had a heart attack in Rome; he was only 38 years old.”  Our whole class made a collective sigh. A few of the girls grabbed their lace handkerchiefs as I pulled out my pocket one. We all knelt down next to our desks and said a prayer for him.

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In our Italian parish of Sacred Heart, Mario Lanza was a god, an idol, our hero. He was the most famous tenor in the world, a working class Italian American who made good and became a handsome romantic Hollywood movie star. The nuns all had a crush on him and I had most of his albums. I had a crush on him too ever since my mother had taken me to the Ritz Theatre to see the MGM musical, The Great Caruso. When my parents went out shopping and I was all alone, I would shut off the lights in my bedroom, put on one of his albums, lay on my bed  in the dark, and become enveloped in his warm, bell toned voice. I believed he was singing just to me.

Deep in my heart dear, I have a dream of you…

The bell of our church started to peal slowly like it did when there was a funeral and I couldn’t hold it any longer as it slowly ebbed down the sides of my dark navy blue gabardine pants; trying to release it a little bit at time so no one would notice. I kept staring straight ahead, listening intently to every word Sister said when BRRRINGG, the school bell rang. It was finally 12:45pm and we were “released” for the day.

I ran to the Boy’s Room, went to a stall, sat down and poured out a steady stream – WHEW! The left side of my pants leg was soaked right down to the cuff. If my mother found out she would throw a fit and hit me. “It’s your own fault you wet the bed, you’re too lazy to control yourself!”  I pulled my pants back up when I realized this was my lucky day. I could take a later bus home from the Polish Parish of St. Francis and hang out in Newburgh for awhile and air out my pants till they dried. Maybe I could get away with it if it didn’t smell so bad. I waited for everyone to leave before I headed over to Broadway, the main street of Newburgh. I would go to the public library to listen to some Mario Lanza records before catching that later bus.

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Broadway

We had just moved from the City, leaving all our relatives and my friends behind.  Newburgh was sixty miles north of New York and it was once voted “All American City “with its many tree-lined streets and High Victorian style homes. I was walking bow-legged in time to the funereal tolling bell so the breeze could pass through my pants and dry them out. I often sang when I walked; turning the corner onto Broadway I began to sing one of Mario’s hit songs from the movie, The Student Prince. Actually only Mario’s voice was heard in the film since he had gotten too heavy and unreliable from drink to be in it.

 

Be my love for no one else can end this yearning;

This need that you and you alone create…

My first stop was Schwartz’s Department Store to see if any new Broadway original cast albums had come out. I already had this season’s Gypsy and The Sound of Music, and I was waiting for my pre-order of Fiorello to come in. I checked out soundtracks but continued empty-handed down the steep wide avenue past South William Street and the Jewish Section.  I sauntered along Broadway, window gazing in a lost lonely reverie, singing lustily now.

Just fill my arms, the way you fill my dreams.

The dreams that you inspire with every sweet desire…

I stopped mid-song embarrassed when an elderly Jewish lady came out of a haberdashery shop. I pretended to look at some Ladies lingerie in the shop window. Humming now, I picked up my pace to the Broadway Theatre where the tear jerker, Imitation of Life starring Lana Turner was showing. Who wouldn’t cry at the final scene when the light skinned daughter who passed for white cries out and flings herself on the coffin of her dead colored mother? “I am telling you, it’s my Mama! Please Mama!  Mama! I didn’t mean it!  Mama, do you hear me? I’m sorry Mama. I killed my mother!  I’m sorry Mama! I did love you!”

Feeling hungry I went next door to Texas Wieners and sat at the counter where I ordered a hot dog smothered with sauerkraut and onions and a cherry coke. I spun round and round on the red vinyl covered stool, pressing the crease down my pants with my thumb and forefinger. The hot dogs weren’t as good as at Pete’s up by Sacred Heart but they were pretty tasty when they put their special sauce on. I was trying to squeeze some yellow mustard from a dirty plastic container when an old Negro man came in and sat down next to me. I was so startled; this was the first time I had seen a black man close up. I spun around a bit too quickly and a bright yellow blob of mustard shot on my pants along with a big glob of the Texas Weiner special reddish sauce. I smiled nonchalantly as I reached over and pulled a paper napkin from the metal holder. I only made things worse by smearing the mess into the fabric of my trousers.

The Negro gentleman ordered as he was reading the Newburgh News aloud to himself. “It’s a damn shame, damn shame, so young, only 38,” sharing the news of Mario Lanza’s death with waitress behind the counter who pulled out her white doily handkerchief from her white uniform and dabbed her eyes. “What a voice” I stammered out as the man glanced over and continued reading from the sports page. I gobbled down the frank, gave a quick smile back to the man, and walked out using my schoolbag as camouflage to hide the stain.  I glanced back for one more look at him when I banged my nose on the door and made a quick exit.

I bobbed into Sears & Roebuck to check out the new stereos, stuck my nose in the lobby of the Hotel Newburgh where Mrs. Dickey who worked with my father stayed, and loitered in front of the Ritz Theatre where the The Gene Krupa Story was playing. I lingered over the lobby cards that showed Sal Mineo playing the drums. I noticed a few empty storefronts now on Broadway, and since this busy section was sort of deserted, I continued singing.

Be my love and with your kisses set my burning

One kiss is all that I need to seal my fate…

Mount Beacon loomed across the Hudson as I tuned left onto Grand Street, past the YMCA and Irish Parish of St. Patrick’s to Newburgh Free Library. The Library was a Victorian Gingerbread fantasy and the interior looked like the movie set of The Music Man, complete with metal spiral staircase up to the wrap-around-balcony where Professor Harold Hill could have sung “Marion the Librarian.”  I threw my jacket and school bag down on the seat next to the turntable to save myself a spot. I looked up the catalogue number for LP of The Student Prince with Mario Lanza and found the disc, put on a pair of headsets, and started to listen. I closed my eyes and in my mind I was a student studying at Heidelberg, as I started to sway my hand and pretend I was hoisting a stein of beer.

Drink! Drink! Drink!
To eyes that are bright as stars when they’re shining on me!
Drink! Drink! Drink!
To lips that are red and sweet as the fruit on the tree!

Miss Smith, the librarian, tapped me on the shoulder, startling me and whispered to stop humming along. The jolt made me kick the base of the record player and it skipped ahead to the famous “Serenade.” Prince Karl with his fellow students sings to his beloved Kathi, under the tavern girl’s window. I discreetly wiped a tear from my eye, just in case anyone saw me. I looked at my Timex and realized I was late for the afternoon bus home. I quickly put the LP carefully back in its sleeve, holding the edges by my fingertips and checked it out and ran out the door. Miss Smith sighed as she stamped the return card with her date stamp, commiserating with me on our tragic loss.

 

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It was a quick walk up the bluff to St. Francis on Benkard Avenue. I barely caught the bus so I had to sit on an aisle seat next to a fat Slavic girl munching like a beaver on pretzel logs. I kept my school bag on my lap to hide the rosy sauerkraut stain which was now redolent of a faint smell of uric acid.

The bus dropped me off on Rte. 94 and I walked with dread the two blocks back to our Cape Cod house. My mother was already home from the factory, preparing dinner when I rushed in. “Hey Ma, don’t be mad but I spilled sauerkraut on my pants so I am gonna put them in the hamper.” I demurely went to the bathroom, pulled off my slacks buried them deep in the hamper under some other dirty clothes, then ran upstairs in my BVD’s to my bedroom.  I threw on my dungarees, started to read the liner notes of The Student Prince and flopped on the chenille bedspread, escaping my mother’s wrath.  Or so I thought-

“Prince Charles, come down here now! So you think you can fool me, Little Man!”

I was caught. My mother only called me Prince Charles when she was extremely mad at me which was often (Prince Charles was born 4 days before me and she and  Queen Elizabeth came to term at the same time). My mother’s outbursts would rise up like a tsunami swift, high and sudden. I bolted down the stairs almost tripping on the last tread and knocking the Pixie off the wall.

“I told you on Wednesdays, you had to take the doilies off when you dusted! Look at this!”

With a flourish she lifted up the lamp and snapped up the doily. There underneath was a perfect palimpsest of the doily outlined by the dust.

“A pig lives better than this!”

“M-M-Mama…”I started to explain to her about Sr. Thomas not letting me be excused but I couldn’t get the words out fast enough.

“Spit it out!”

“Mama, I didn’t mean it!  Mama, do you hear me? I’m sorry Mama. I was late for the bus. It won’t happen again, I’m sorry Mama!”

“I say you are sorry, go up to your room and go to bed; no dinner for you, lazy ass.”

With a spring in my step I ran up stairs, shut the sliding vinyl panel door and almost laughed as I jumped on the bed – a bravura performance. – I never stuttered onstage.  I got away with the peeing in my pants. I took an imaginary bow in front of the dresser mirror like in the ending of All About Eve. I finished my homework and went back to the liner notes on the LP, thinking about the handsome Edmund Purdom who played the Prince lip-synching to Lanza.  Damn I thought, I should have bought the soundtrack to The Gene Krupa Story at Schwartz’s so I could fantasize over Sal Mineo in his big drum solo with the Glen Miller Orchestra, playing “Cherokee” in a wild frenzy. “Do you hear that Ma? They approve!”

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Sal Mineo

 

I got out a new pair of pants and set out my clothes for the morning. Downstairs dinner was over and the evening was settling in as my parents started to watch TV. The news was filled with the untimely death of Mario Lanza. My brother had fallen asleep next to me when I went over to my little phonograph and put on my copy of The Student Prince. It was dark out now. I moved the player next to my side of the bed and just barely turned up the volume so only I could hear it. In the distance the opening theme music of Wagon Train wafted up from the living room. I put the needle down on Track 6 to listen to Mario Lanza sing the famous “Serenade.”

Over head the moon is beaming

 White as blossoms on the bough

Nothing is heard but the song of a bird

Filling all the air with dreaming

The TV was turned off. My mother went to bed downstairs and my father got into his bed next to mine. His eyes told me it was alright to keep the music playing. He gently snored. It was a sad day for me.  Mario Lanza had died and I had wet my pants. I started to drift in and out of sleep listening to Mario’s golden voice serenade me.

Could I hear this song forever
Calling to my heart anew, my Darling
While I drift along forever

Lost in a dream of you 

I gave a loud burp caused by the afternoon hot dog. My thoughts strayed back to the day; therere was something strange about my walk down Broadway in Newburgh, the “All American City.” It was late now so I gave the matter no more thought. * The house was still. The needle of the record reached the end of the album and it must have been clicking over and over for a long time before I woke up and shut it off but I still heard Mario. 

I hear your voice in the wind that stirs the willows
I see your face in the stars that shine above
(Hold me closer, tonight we love)

The willows bending, the stars that shine

The chamber pot was underneath the bed. I strained but there was nothing. I was hungry but instead of sneaking to the kitchen I got back into bed.  It was safe up here, downstairs, my pants and my sins were buried in the bathroom hamper. Mario’s voice lingered in my dreams.

The shore lights blending, they’re yours and mine
Drifting along, in my heart there’s a song

And the song in my heart will not fade

Oh, hear my serenade, my moonlight serenade

“Rise and Shine! Rise and Shine!”  I didn’t wet the bed that night.  I got quickly dressed in my clean pair of pants, white shirt and tie. I skipped the OJ, removed all the doilies, dusted all around them and caught the bus on time. The school day went by fast –

# 63 Is original sin the only kind of sin?

Original sin is not the only kind of sin; there is another kind, called actual sin, which we ourselves commit.

#64 What is actual sin?

Actual sin is any willful thought, desire, word, action, or omission forbidden by the law of God.

 

On the way home, I gazed out the school bus window; Newburgh looked the same. When I got home I rode my old Schwinn bicycle to the dry cleaners and dropped off the laundry. On the way back, coasting on my bike down a long, long hill, I raised my hands in the air, singing all the way… 

Overhead, the moon is beaming

White as blossoms on the bough

Nothing is heard but the song of a bird

Filling all the air with dreaming

Could this beauty last forever?

I would ask for nothing more, believe me

Let this night but live forever

Forever and ever more

(click for video of Serenade)

 

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Newburgh, New York

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“In the early 1960s, Newbugh fell into urban squalor  and soical unrest like most small American cities. The city’s response to the economic decline was an ambitious urban renewal. The city’s historic waterfront area, an area composed of several square blocks which included numerous historically significant buildings, was completely  demolished. A grand complex that was planned for the urban renewal area was never built. To this s day, the blocks which slope down to the river remain open, grassy slopes, offering sweeping views of the Hudson but generating no property taxes for the city. In the early 1960s, city manager Joseph Mitchell and the council attracted nationwide attention and the admiration of political conservatives when they attempted to require welfare recipients to pick up their payments at police headquarters. Mitchell later announced a program aimed largely at blacks on welfare, who many in the community blamed for its economic problems. After opposition by both state and federal officials, the program created a national controversy and never went into effect.”

 September 10, 1959   no responses

I was fortunate to grow up in the 1950’s, the last great flowering of the American Songbook. My musical tastes were formed by viewing the many television variety shows like Lawrence Welk and the Bell Telephone Hour as well to listening to Broadway show albums. My Uncle Joey on the Polish side of the family exposed me to the glory of Gershwin and Kern, the lush melodies of operetta and the songs of movie musicals. Curiously I discovered classical music all on my own. I have a great knowledge of classical music that I learned from reading the liner notes of records, over and over. It was my Uncle Joe who bought the first Hi-Fi that I would sit and listen in front of, transfixed like Nipper, the RCA dog.

Here are few some songs that changed my life growing up through adolescence before the Beatles and rock and roll took over the airwaves:

“Only Make Believe” (from Show Boat)  -My mother would sing this song a lot. Did she think her love was only that? Indeed Show Boat has become a great influence on me as I identified with Julie LaVerne, the tragic chanteuse. I think my Uncle Joe and my mother saw the 1949 revival on Broadway so it was played a lot. “Old Man River” too of course.

“If I Loved You” (from Carousel)  – Another favorite of my mom, always tentative love. I still sob at the ending when Billy Bigelow says, “I loved you Julie, know that I loved you.”

“Rhapsody in Blue” – One of the first LP’s I bought at Merkels, a butcher that for some reason had a weekly record promotion.

“On the Street Where You Live” (from My Fair Lady) – Another LP but a lesson learned. I bought this at Woolworths for 99 cents. It was not the original cast recording as I soon discovered when I brought it home and played it.

“The Beer Barrel Polka” and the “Too  Fat Polka” – music to eat golumpki and kielbasie by.

“Volare” – My Italian uncle taught me this song on his guitar and I would sing it at family gatherings. OH OH!

“Shine on Harvest Moon” – This is the song that I sang in the fifth grade at my parochial school talent show. From then on, I was nicknamed “Shine On” by the lady who would sell meatball heroes for 25 cents at the deli next door.

“The Merry Widow Waltz”  (from Lehar’s operetta) – I hummed this often and danced around the living room.

“The Drinking Song” and the “Serenade” (from the Student Prince) – Mario Lanza’s voice in the movie sent chills down my spine.

“Cry” sung by Johnnie Ray – “If your sweetheart sends a letter of goodbye.  It’s no secret you’ll feel better if you cry …” a closeted homosexual paean sung by one to one.

“Come on-a My House” sung by Rosemary Clooney. The theme of inviting someone in with fruits and nice things to eat, but with the hidden offering of sexual favors.

“Some Enchanted Evening” (from South Pacific) – My favorite song of all. I would hum  this to myself as I stood alone in Julius’ looking for that stranger. I finally met him and his name is Gary.

 April 28, 1958   no responses

The Rodgers & Hammerstein musical, South Pacific, has been a great artistic and emotional influence on my life.

1948 – The Original Cast

I was born in 1948, the same year as the publication of James Michener’s Tales of the South Pacific. The following year Richard Rodgers and Oscar Hammerstein turned it into the hit Pulitzer Prize winning musical – the story of love and war; the clash of cultures on the other side of the world.

My Uncle Joey on the Polish side of my family, saw the show and owned a set of 78’s starring Mary Martin and Ezio Pinza. As a young boy whenever I went to grandma’s house, Uncle Joey would play the music for me. Yes Uncle Joey along with my Uncle Eddie were bachelors and lived with my grandma in Bay Ridge, Brooklyn. This was not an unusual arrangement due to the housing shortage after World Word II and the social mores of the time (pacé Harvey Fierstein re: A Catered Affair).

 

I didn’t know the story at all but I would sit in front of the Victrola and play the songs over and over again in thrall to Mary Martin (I guess it’s in the gay genes). My mother would sing “Some Enchanted Evening” as she washed the dishes or set the table. That song I think is my favorite of all of the many hits from the show for many reasons. The first is the lush sweep and beauty of the song and the second is that my Uncle Joey and my Mom would sing it to each other. Looking back I can see why it would resonate to them. My mom would have just met my dad and my Uncle Joey alas was alone and I suspect homosexual. Both were looking for that “stranger” who would take them away to “that special island” and make their life beautiful.

1958 – The Movie Version

The movie version came out in 1958 in Todd – AO -which according to Cole Porter meant “glorious Technicolor and stereophonic sound”.  I almost saw the film for the first time in the Bronx with my Aunt Mary but she passed it up since she “didn’t like war movies” So I got to see it with my mother at the Broadway Theatre on a Wednesday afternoon in downtown Newburgh, New York.

Of course, one never paid attention to movie starting times so my mom and I entered the theatre about 30 minutes into the film, just in time for “Bali Hai.” We sat down in the darkened theatre. My mother started to mutter as she was wont to do and kept looking at the screen and then back up to the projection booth. “Something is wrong with the picture!” she blurted out. “The colors are off.” She poked me and whispered rather loudly that I should go out and tell the manager to fix it. I embarrassingly approached one of the theatre matrons and she brusquely said nothing was wrong and escorted me with her flashlight back to my seat

When I got back into the auditorium, indeed the film looked fine. My mother did not believe my answer until the next song started and the screen started to go through a kaleidoscope of lush color washes.  Of course, now we all know about the notorious color gels Joshua Logan had used to enhance the mood when anyone sang which received great critical distain.  So the laugh was on her or Josh when we walked in to see a yellow to purple to amber Juanita Hall singing on the beach. I loved it.

 

This is also when I fell in love simultaneously with Rossano Brazzi as Emile de Beque and John Kerr as Lt. Cable. Rozzano was the handsome older cultured gentleman, a stranger I would like to meet one day.  I almost came in my pants when John Kerr wore his little white trunks during the song “Happy Talk.” I swear to this day you can see the outline of his dick when he jumps in the lagoon for the underwater sequence – “Happy Talk” indeed.  And how can I not fantasize as a gay teenager over the SeaBees played by all the hunky men that Joshua Logan always cast in his shows. This was one closeted homosexual director if I ever knew one. I could only imagine the guys he had on stage in his musical “Wish You Were Here” which features a swimming pool on stage.

I think I saw the movie 8 times in 1958/59. I even dragged my hard-of-hearing Polish grandmother to the RKO Dyker Heights in Brooklyn to see it. Somehow she heard it all and we both walked out weeping.

Gathering my neighborhood pals together, in 1960 I put on the show in my best friend’s garage. We all lip-synced to the soundtrack and I played Bloody Mary but in my heart I was Emile. And in 1969 I saw a production at Guy Lombardo’s Jones  Beach Theatre, with an elaborate Boar’s Head Ceremony and I think even a exlploding volcano!

 

Since then I have seen the movie at least 12 times on VHS, Laser Disc and DVD.

South Pacific

1968 – Lincoln Center Revival

I took my mother to see the show at Lincoln Center when Richard Rodger himself headed up a two year musical summer season of shows. I was going to college in Manhattan and Lincoln Center had just opened two years prior. It was a great production directed by Joe Layton and starred Florence Henderson and Giorgio Tozzi who had dubbed Mr. Brazzi’s voice in the movie.

As a teenager I was looking for that “stranger “in every crowded room I entered not to mention the restrooms of the Performing Arts Library at Lincoln Center.  I was always on the prowl in the city from street to subway to theatre to park. One night I wound up in the Rambles in Central Park.

My dorm was only tfour blocks away and on a hot summer’s night like a lemming I instinctively knew where to go. The scene was something like the movie “Night of the Living Dead”. Men roaming the woods like Zombies looking for love in the all wrong places. As I was nervously meandering, a group of Hispanic boys jumped me and threw me to the ground with a jack knife at my throat. I had no money of course. They took my Timex watch that I had just received for my High School graduation from my godfather Uncle Joey. They wanted to take my class ring but I somehow talked them out of it. They laughed in my face calling me a maricon as they disappeared into the evening.

They were not the strangers I had in mind. Well they were cute but let’s not go there. However in a weird way this incident t may have saved my life since never again would I go to the Rambles and ever put myself in that kind of jeopardy. This was very lucky since the dawn of the 1970’s gay liberation was about to burst. I avoided the specter of Aids that lurked in the darkness and the underbelly of the city in the 1970/80s..

2008 – Broadway Revival

Gary and I celebrated our 25th anniversary in February 2008 and we included “Some Enchanted Evening” in our musical review. I guess I was Emile and he was Lt. Cable confusing the two plot strands! In April we saw the revival of South Pacific currently playing at Lincoln Center.

The revival at Lincoln Center curiously left me cool. I was not involved with the show which is ironic since I can hardly watch the movie without tearing up. What was wrong?

Kelli O’Hara was great as Ens. Nellie Forbush but casting Emile de Becque younger diminished the tension and heightened sexuality of a younger American woman falling in love with an older Frenchman in 1942. There was no frission between them. Also casting Lt. Cable younger makes his singing of “Younger than Springtime” incredulous since how can he feel younger than springtime when he is a kid himself.

There was no sense that war had thrown these characters together and the hot house atmosphere of the South Seas was making them take chances in their lives and fall in love with abandon. I had more danger in my ramblings in Central Park looking for my strangers. And where was Josh when you needed him to cast the sailors with men and not with pasty white preppy chorus boys playing grownup. They culd have at least used body makeup to suggest tans.

Yes, the music was played gloriously but I think they were grandstanding and ostentatious when the orchestra pits opens up to reveal the players. “Hey look at the 30 of us! Wow see how a nonprofit subsidized theater can throw away money.” Wagner would not have been pleased. He put the musicians in the pit for a reason to achieve Gesamtkunstwerk.

 

 

Finale Ultimo

So why does South Pacific speak to my soul? –

Being a cockeyed optimist is a nicer way of saying I am cynical – The great fantasy of meeting a stranger across a crowded room even if it is only a one night stand and falling madly in love or lust.

“Washing that Man Right out of your Hair” that u met the evening before and doing it all over the next night .

Seizing the moment cause who knows tomorrow you may be dead and you don’t want to be singing. “This Nearly was Mine” at your funeral

Working out 5 times a week so I can be “Younger then Springtime” which is why I work out 5 times a week to have “Honey Buns.”

Being on the beach with a bunch of macho sailors

Finding that special island: Coney, Fire or Manhattan.

And singing at the top or your lungs on top of a double-decker bus heading down Fifth Avenue: “I’m in love, I’m in love, I’m in love, I’m in love, I’m in love with a Wonderful Guy!” And he is sitting next to you singing back.

 

Some enchanted evening
You may see a stranger,
you may see a stranger
Across a crowded room
And somehow you know,
You know even then
That somewhere you’ll see her
Again and again.

Some enchanted evening
Someone may be laughin’,
You may hear her laughin’
Across a crowded room
And night after night,
As strange as it seems
The sound of her laughter
Will sing in your dreams.

Who can explain it?
Who can tell you why?
Fools give you reasons,
Wise men never try.

Some enchanted evening
When you find your true love,
When you feel her call you
Across a crowded room,
Then fly to her side,
And make her your own
Or all through your life you
May dream all alone.

Once you have found her,
Never let her go.
Once you have found her,
Never let her go!

 


 February 20, 1958   no responses

I am a stutterer.

Like an alcoholic, the admission of stuttering is the definition of the condition. When I was a boy I lived in fear of speaking. I stuttered, albeit not severely but still I stuttered. There are many theories as to why one stutters – physical, emotional, traumatic and there are many treatments but none conclusive.

My first memory of stuttering is in the second grade at St. Thomas Aquinas School in Brooklyn when Sister Rose called my mother in to tell her of my problem. I had no idea I had one and in a very typical way, the naming of the problem made it a bigger problem! Now everyone would be watching and listening to everything I said, including me which of course, made it worst. Sister Rose offered no solutions but my mother did: “You should go out and play more instead staying inside listening to your stupid records over and over again”, “think before you speak”, “Enunciate” and the big one – “slow down!”  I still that get one!

I could deduce that my speech impediment was caused by family unrest and soap opera drama. Who knows or is it just genetic? I noticed a British patrician stammer pattern on my mother’s side of the family but we were not to the manor born. “The rain in Spain stays mainly on the plain.”  I never got it …
However, stuttering or not, I was the class clown, making wiseass comments from my strategically placed desk in the back of the classroom. Eventually my teacher would find me out and would punish me by making me stand in the front corner of the classroom facing the wall with a very colorful dunce cap on my head. Little did Sister Mary Joseph know that she had put me in the limelight, on center stage in costume to try out my wisecracks to a captive audience. All I needed was bells to be the class court jester like Danny Kaye n the movie. This was a role I could play and not be me.

I was desperate for attention from anyone, no matter the inappropriate situation. And it isn’t it ironic that I used language as my method. You may not know this, but usually stuttering disappears when a person sings or acts. There are many famous celebrities who stutter: James Earl Jones, Marilyn Monroe, Mel Tillis and Carly Simon.

Also we stutterers are clever people: we develop many tricks to hide our torture to get around full guttural stops. We learn esoteric words (see my above use of albeit) or we use synonyms “Judy Garland at Carnegie Hall was fa-fa-fa-fantastic”, when I meant to say fabulous. Fantastic works as a substitution but if you know Judy you know she was fa-fa-fa-bulous! Syntax comes in handy too so we can twist the sentence around in myriad ways. My studying of Latin came in handy – omnia vincet amor – “All conquers love”.
In 1958 we moved to Newburgh, New York where I attended Sacred Heart Parochial School. Still stuttering, I decided in the fifth grade to enter the parish talent show to show everyone that when I sang, I didn’t stammer. I picked “Shine on Harvest Moon” to sing because I loved the song on my “Sing along with Mitch” album that I played over and over. On the day before I asked and rehearsed with the church organist, Mrs. O’Brien who accompanied me on an old upright no-so-in-tune piano.

So there I was on a cold Sunday afternoon, standing on the stage at Gallo Hall in the basement of Sacred Heart School. Out in the dark were friends and family and another hundred people. I nodded to Mrs. O’Brien to start. I was petrified and I sang standing very still, “Shine on, Shine on Harvest Moon up in the sky. I Ain’t had no loving since January, February, June or July.”

I got through the first part when I saw my mother’s face in the audience. I thought she was gonna run down the center aisle yelling “sing out Louise!”   So I finished up with more bravado. Polite applause. Not my mother screaming out “that’s my boy, that’s my little Anthony,” like from the last scene in The Music Man.  I bowed and quickly went off stage till the conclusion of the talent show. At the end, there was a grand bow of all the performers including my friend Peter who had played “Lady of Spain” on his accordion; Shaking it at the end to great applause.  He won! (The bitch)
The two people I wanted to impress the most were in the audience; my mother and my teacher, Sister Mary Joseph. I ran down the center stage three little steps to my mother. “How’d I do ma?” How did I do?” “Anthony, it was nice. But you just stood there, like a clump and why didn’t you sing, “For Me and My Gal” like on the Mitch Miller album that you play over and over?”  “Thanks ma.” I looked all over for Sister Mary Joseph but she already left. I waited till class on Monday to get a response but she said nothing.

No one got that I did not stutter.

I am a stutterer.

However on the next day, Monday morning back at school I decided to treat myself to lunch with the quarter that my father gave me when I got home from the talent show. He couldn’t go because of his Parkinson’s but he asked me all about it.

During lunch hour, I went next door to the little Italian deli that was popular with all of us school kids. I ordered a small meatball hero.  I slid my quarter into the nice Italian lady, Mrs. Costanzo’s hand. She reached out over the counter, grasped my hand in hers and looked right into my eyes smiling saying to me, “Baby you sang so nice yesterday”. She then reached backed to Mr. Costanza and handed me the larger 35 cents sub. “Shine on, Anthony, shine on!” Holding back my tears, I barely got out, “Oh thank you so much Mrs. Costanza, oh thank you so much.” … I didn’t stutter. She called me “Shine On” till I graduated three years later.

So thus began my life journey in the arts to find a voice, to find a love and not to be known as the stuttering Porky Pig but maybe the sexy actor, Sal Mineo or the dynamic and articulate director Elia Kazan.

But  back then who would have known there was a secret entrepreneur inside me that with the help of all you and especially Gary that I am now here speaking in front of you today, somewhat fluent, still not slow but feeling very successful and loved. “The rain in Spain, stays mainly on the plain.” I think I finally got it!

But what I actually didn’t’ get until I wrote this story was hat Mrs. Costanza for all that time wasn’t calling me Shine On.  She was telling me  to “Shine On!” “Shine On!’

So I  think it’s time after fifty eight years, it’s time to “Shine On” and sing “Shine on Harvest  Moon” again in front of my family.

But I ain’t doing it alone! So please help me out and sing along with Tony.  Somewhere Mrs. Costanza shines on and Mom,  we’re singing,” For Me and My Gal” too.

Sing along with Tony:

Oh, Shine on, shine on, harvest moon

Up in the sky;

I ain’t had no lovin’

Since January, February, June or July.

Snow time ain’t no time to stay

Outdoors and spoon;

Shine on, shine on, harvest moon,

or me and my gal.

The bells are ringing for me and my gal
The birds are singing for me and my gal

Everybody’s been knowing to a wedding they’re going
And for weeks they’ve been sewing, every Susie and Sal

They’re congregating for me and my gal
The Parson’s waiting for me and my gal

And sometime I’m goin’ to build a little home for two
For three or four or more
In Loveland for me and my gal

 August 11, 1953   no responses

My father and I, before the days of air conditioning, often went to the park on Sundays to escape the heat during then the Dog Days of summer. It is ironic and coincidental that the parks we visited were all designed by Olmstead and Vaux.

When we lived in Brooklyn, my father took me by the hand for a short two block stroll up 9th Street to the entrance of Prospect Park, the jewel of the designs of Olmstead and Vaux. We would toss my red ball that he had bought me, back on forth on the Long Meadow. My father was very lean and athletic and we would sometimes race up to the Picnic House to get out of a sudden summer shower. He always let me win.

One day the whole family went to the park and while Dad and I were playing catch, my younger brother Michael somehow wandered off up into the Ravine when my mother wasn’t looking as she tended to my newly born sister in her ornate big, black baby carriage. After a short frantic search, a policeman returned the crying lost boy to us. He cried harder when dad gave him a good smack. I was rewarded for my help with a paddle boat ride on the lake followed by a vanilla custard ice cream cone. In the early 1970’s when I came back to Park Slope after graduate school, I returned to Prospect Park only to find it in disrepair and crime ridden.

I have always thought of Central Park in Manhattan as my back yard, living from 1966 at various times only a block from the park on West 83rd Street; West 110th Street and now West 96th Street. My father first took me there in 1953 after we attended a rally for Julius and Ethel Rosenberg in Union Square. We drove up in his car and he put me on a stationary horse on the great carousel by the Dairy Barn. It wasn’t long before I was leaning out on the moving horses that went up and down, reaching out to snatch the brass ring. That is my only memory of Central Park with my Dad, so Central Park belongs more to me than to us.

When we moved to Newburgh New York in 1958, my father would take me to Downing Park for his outdoor exercises to stave off his encroaching Parkinson disease. Downing Park was in the middle of Newburgh and designed by Olmstead and Vaux in memory of their landscaper mentor Andrew Jackson Downing who designed the Mall in Washington DC and who died an early tragic death. Downing Park was a green oasis in the blighted chaos of Newburgh, a rundown river city in the Hudson Valley.

His sickness was the reason we moved upstate, since his factory relocated there in that great mass urban exodus to the suburbs of the 1960’s. The gravel paths that wound around the lake and up the hill to the Pergola were perfect for my father’s peregrinations; it gave him good traction. He was very self conscious about his stumbling and shuffling due to his disease, and the park was usually empty early evenings when we took our walks. He would lean on me as we walked around and around; his fixed glance straight ahead,

concentrating on his impaired motor skills to build up his agility. We didn’t talk except to point out a squirrel, bird or roller skater coming precariously close to our path.  Sometimes he would build up momentum and he would be able to walk a short distance without faltering. This made him very happy and a smile would somehow shine through his rigid face. I could sympathize with this forward movement and joy of being able to walk without assistance for those few steps. I would feel the same way when I sometimes could get a string of words out, glide along and not stutter till the last syllables.

“Let’s go feed the ducks!” My father used to love to feed the ducks on Polly Pond in the park. He would give me 25 cents to purchase corn feed. I would go into the Stone Shelter and the lady behind the counter would give me a tiny brown paper sack with the top folded ever so neatly down and stapled shut. We would walk to edge of the pond and the duckies would waddle up to our hands and peck up the corn. In the fall came the aggressive geese that would bellow and bluster and suck up the corn like an angry vacuum cleaner. I Ioved their warm breath on my open palm.

Downing Park, Newburgh by sisudave.

Downing Park after a storm

In July and August, after my walk with Dad, our family stayed for the weekly band concerts. An amphitheater was built in 1936 out of flag stone and granite. Green hedges lined the upstage while a moat filled with goldfish separated the platform from the audience. The audience sat on long green wooden benches on a hill that slightly rose up, a mini-Greek theatre. The concert band was comprised of Italians who wore crisply pressed white shirts, captain hats with black pants and ties looking like a Good Humor Ice Cream Man in his truck.

The program was usually comprised of marches; famous classical miniatures and Broadway show tunes. I was in heaven. Stars and Stripes – William Tell Overture – A Symphonic Portrait of Porgy & Bess (arranged by Richard Russell Bennett) – Leroy Anderson’s Bugler’s Holiday – The Blue Tango. Sometimes a local soprano would sing “Un Bel Di”, “I Could Have Danced All Night” or “Summertime” There were theme nights too: Oktoberfest! – Italian Night! – Salute to Broadway! – Victor Herbert Tribute! and Down South American Way! etc. There would be guest appearances by a barbershop quartet, a Dixie land band, jazz combo or student accordionist playing “Lady of Spain”. I would get goose bumps when he shook the accordion to vibrate the last chorus. I would sing to myself “Lady of Spain, I adore you. Pull down your pants and I’ll explore you!”

My Dad sat in our car parked on a roadway right above the rise of the hill to listen to the program since he didn’t want anyone to see him shake from his palsy. I would sit in the front row all by myself while my mother and sister sat a few rows behind me. I sometimes had to chase down my brother Michael running around behind the stage. We usually didn’t stay for the whole program and left after intermission. My mother got bored easily. I would try to spy out a friend or neighbor who could drive me home. I hated to leave and miss the second half. I am sure I made a pest of myself to people I hardly knew, begging them for a car ride home. I felt trapped in Newburgh, you couldn’t get around unless you had a car and my mother was not a “soccer mom” type who would gladly chauffeur her children to their activities.

It was always sort of sad looking back up the hill to see my father sitting in the car alone like Quasimodo, a lonely gargoyle silently listening, hidden in the shadows of the green cathedral of leaves. Parkinson had left his face expressionless, set in a fixed dull stare of non-emotion. I would run up between numbers and bring him an ice cream cone that I bought from the Good Humor truck. At times I would gently wipe off the vanilla drips from his stubbly chin.

One night there was a sing-along and all the audience joined in. My family was not the sing- around-the-camp fire kind of family. We would watch the TV show, Sing-along with Mitch in silence. I was particularly self conscious about singing around people even though I sang along to my Broadway LP’s when no one was home. I gave John Raitt a run for his money when I sang both parts of “Hey There.” This is curious to me, since I never stuttered when I sang so you think I would “Sing Out Louise!” any chance that I could get. I had a beautiful voice when I was younger but when I became a teenager and to this very day, I can not hold a tune and sing flat. I worry that I don’t sing good enough. I never play a game I can’t win so I guess I don’t sing out loud from fear of my mother’s ever present criticism that lingers till.

However that night the voices of the audience so filled the night air in the park that it was hard to resist. Everybody was lustily singing along as I looked back and saw my father mouthing the words from the car with a big smile on his face. I couldn’t hear my father singing but like a deaf man I could “lip read” the melody of his voice.

“Casey would waltz

With the strawberry blonde

And the band played on.

He’d glide ‘cross the floor

With the girl he’d adore

And the band played on.

But his brain was so loaded

It nearly exploded

The poor girl

Would shake with alarm

He’d ne’er leave the girl

With the strawberry curl

And the band played on.”

I mimed the words…”C-C-Casey would w-w-waltz…”

Downing Park is still there up in Newburgh; Prospect Park is there and has had a renaissance in Brooklyn. And I walk every week in my beloved Central Park that will be there for all time. My sister and brother are still here. My dad however is long gone.

I remember our days in the parks – Prospect, Central and Downing – whenever I hear a marching band or a duck quack or a goose hiss, or the ding-a-ling of an ice cream truck, or the organ at the Carousel. I hear my father’s silent voice singling along. Maybe one day I will sing a song out loud and not give a damn.

“And the band played on …”

Thank you Dad

and

thank you, Olmstead and Vaux.

“Sing, sing a song  (press to listen to this song)

Sing out loud

Sing out strong

Sing of good things not bad

Sing of happy not sad.

 

Sing, sing a song

Make it simple to last

Your whole life long

Don’t worry that it’s not

Good enough for anyone

Else to hear

Just sing, sing a song.

 

Sing, sing a song

Let the world sing along

Sing of love there could be

Sing for you and for me.

 

Sing, sing a song

Make it simple to last

Your whole life long

Don’t worry that it’s not

Good enough for anyone

Else to hear

Just sing, sing a song.